News

Pope.L included in 2017 Whitney Biennial and documenta 2017

Mary Reid Kelley 2016 MacArthur "Genius" Award recipient




Edgar Arceneaux

“Unsettled,” curated by JoAnne Northup, Nevada Art Museum, Reno, NV; travelling to Anchorage Museum, Anchorage, AK; Palm Springs Art Museum, Palm Springs, CA (2018)

“As a text differs from a book, an image differs from an archive,” MAK Center, Mackey Garage Top, Los Angeles, CA (2017) (link)

“Chapters,” Craft & Folk Art Museum, Los Angeles, CA (2017) (link)

“Urban Planning: Contemporary Art and the City 1967 – 2017,” curated by Kelly Shindler, Contemporary Art Museum St. Louis, St. Louis, MO (2017)

“LA Exuberance: New Gifts by Artists,” Los Angeles County Museum, Los Angeles, CA (2016)

Mizota, Sharon, “Review: Ben Vereen, Ronald Reagan and the travesty of blackface, potently remembered,” Los Angeles Times, June 16 (2017) (link)

L'Official, Pete, "When Ben Vereen Wore Blackface to Reagan's Inaugural Gala," The New Yorker, January 6 (2017) (link)

Swenson, Kirsten, “Reviews: Edgar Arceneaux at MIT List Visual Arts Center,” Art in America (web), January 11 (2017) (link)

"Art in the Twenty-First Century," ART21 (2016) (link)


Sadie Benning

"Shared Eye," Kunsthalle Basel, Basel, Switzerland (2017) (link)

Cha, Olivian, "Between Seeing and Touching," Flash Art, January - February, (Cover and Feature) (2017)

Riva, Catarina, “Review: Sadie Benning at Kaufmann Repetto,” frieze (web), January 11 (2017) (link)

Vitamin P3: New Perspectives in Painting, Phaidon, London, UK (2016)

“Press Your Space Face Close to Mine,” curated by Aaron Curry, The Pit, Los Angeles, CA (2017)

Campbell, Andy, “Sadie Benning at Susanne Vielmetter Los Angeles Projects,” Artforum, May (2017)


Andrea Bowers

“Andrea Bowers and Marcos Erre,” Westmont Ridley Tree Museum, Santa Barbara, CA (2017)

“Andrea Bowers,” curated by Steven Matijcio, Contemporary Arts Center, Cincinnati, OH (2017)

"Bureau of Feminism," Hammer Museum, Los Angeles, CA (2017)

Smith, William S., "The Lookout: 'The Neighbors, part two, in two parts: Sanctuary: Andrea Bowers and Home: Andrea Aragón'," Art in America, January (2017) (link)

“Occupancy,” Boston University art Galleries, Boston, MA (2017)

Mitter, Siddhartha, “‘People have Been Kind of Slapped Awake’: Urgent New Shines a Light on Immigration,” The Village Voice (web), January 4 (2017) (link)

“The Arcades: Contemporary Art and Walter Benjamin,” The Jewish Museum, New York, NY (2017)

Miller, M.H., “Protest Art in the Era of Trump,” The New York Times Style Magazine, February 19 (2017) (link)

“Unfinished Conversations,” The Museum of Modern Art, New York, NY (2017)

documenta 14, Fridericianum, Kassel, Germany (2017)

“Graphic Witness,” The Drawing Room, London, UK (2017)


Jedediah Caesar

“Concrete Island,” Venus, Los Angeles, CA (2017)

“99 Cents or Less,” Museum of Contemporary Art Detroit, Detroit, MI (2017) (link)


Nicole Eisenman

"Now or Never," Secession, Vienna, Austria (2017) (link)

Skulptur Projekte Münster, Münster, Germany (2017)

“Selections from the Permanent Collection,” Museum of Contemporary Art, Los Angeles, CA (2016)

Corbett vs. Dempsey, Chicago, IL (2017)

“Faces: Painted Reliefs,” Anton Kern Gallery, New York, NY (2017)


Charles Gaines

“LA Exuberance: New Gifts by Artists,” Los Angeles County Museum, Los Angeles, CA (2016)

The Freedom Principle: Experiments in Art and Music, 1965 to Now, Museum of Contemporary Art Chicago, Chicago, IL; travelling to the Institute of Contemporary Art, University of Pennsylvania, PA (2016)

“The Score,” Ian Potter Museum of Art, Melbourne, Australia (2017)

Laird, Nick and Charles Gaines, “An Artist and a Poet Consider Commitment,” The New York Times Style Magazine, May 18 (2017) (link)


Karl Haendel

Goldman, Edward, “France and the US: Art and politics two centuries apart,” KCRW, January 10 (2017) (link)

“Unsere Amerikaner,” Kunsthalle Bielefeld, Bielefeld, Germany (2017)

“American Dream: Paintings and Drawings of American Realism since 1965,” Kunsthalle Emden, Emden, Germany (2017)

“Game On!,” Philbrook Museum of Art, Tulsa, OK (2017)


Stanya Kahn

“Greater works than these shall he do…,” Edward Cella Art + Architecture, Los Angeles, CA (2017)

“Views: Stanya Kahn at Weiss Berlin,” Spike Quarterly, Winter (2017)

“Los Angeles – A Fiction,” Astrup Fearnley Museet, Oslo, Norway, travelling to Musée d’art contemporain de Lyon, Lyon, France (2016) (link)

“Sea Sick in Paradise,” curated by Amy Yao, Depart Foundation, Malibu, CA (2017)

“Teeter: Stanya Kahn, Anna-Sophie Berger, Aleksander Hardashnakov, Dena Yago,” Carl Louie, London, Ontario, Canada (2017)

Diehl, Travis, “Stanya Kahn at Susanne Vielmetter Los Angeles Projects,” frieze (web), May 11 (2017) (link)

Mizota, Sharon, "Chat rooms, home movies, life, death: A tangled, touching video at Susanne Vielmetter," Los Angeles Times, May 4 (2017) (link)


Raffi Kalenderian

Black, Ezrha Jean, “Best in Show 2016,” Artillery, January/February (2017)

"Green River," Brand New Gallery, Milan, Italy (2016)


Mary Kelly

“Wherever the Wind Carries,” Malmö Art Academy and Lunds konsthall, Lund, Sweden (2017)

“Human Interest: Portraits from the Whitney’s Collection,” Whitney Museum, New York, NY (2016)

“Women and Work: A Document On the Division of Labor in Industry, 1975,” Switch House Gallery, Tate Modern, London, UK (2016)


Shana Lutker

Corbett vs. Dempsey, Chicago, IL (2017)

“SNAFU,” Barbara Seiler, Zurich, Switzerland (2017)


Dave McKenzie

University Art Museum, University at Albany SUNY, Albany, NY (2017)

“The Half-Life of Love,” MASS MoCA, North Adams, MA (2017) (link)


Rodney McMillian

Solo Exhibition, Contemporary Austin, Austin, TX (2018)

Hunter, Becky Huff, “Waging an Artist’s War,” Sculpture, January / February (Cover and Feature) (2017)

“Rodney McMillian: a great society,” Art Institute of Chicago, Chicago, IL (2017) (link)

Suzanne Deal Booth Art Prize, Contemporary Austin, TX (2016)

“Los Angeles – A Fiction,” Astrup Fearnley Museet, Oslo, Norway, travelling to Musée d’art contemporain de Lyon, Lyon, France (2016) (link)

“Frozen World of the Familiar Stranger,” KADIST, San Francisco, CA (2016)

“L.A. Exuberance: New Gifts by Artists,” Los Angeles County Museum of Art, Los Angeles, CA (2016)

“Until, Until, Until…,” Susanne Vielmetter Los Angeles Projects, Los Angeles, CA (2017)

“Midtown,” Lever House, New York, NY (2017)

“In the Abstract,” MASS MoCA, North Adams, MA (2017) (link)


Yunhee Min

“L.A. Exuberance: New Gifts by Artists,” Los Angeles County Museum of Art, Los Angeles, CA (2016)

Price, Matthew, “Yunhee Min,” Vitamin P3: New Perspectives in Painting, Phaidon (2016)


Wangechi Mutu

“Lucy’s Iris,” Centro Atlantico de Arte Moderno, Las Palmas, Gran Canaria, Spain (2017)

“Outcasts: Women in the Wilderness,” Wave Hills Arts Center, Bronx, NY (2017)

“Journeys into Peripheral Worlds” Des Moines Arts Center, Des Moines, IA (2017)


My Barbarian

“One day this kid will get larger,” DePaul Art Museum, Chicago, IL (2017)

“The Audience is Always Right,” New Museum, New York, NY (2016) (link)


Elizabeth Neel

Madden, Kathleen, “Elizabeth Neel,” Vitamin P3: New Perspectives in Painting, Phaidon (2016)


Ruben Ochoa

“Down These Mean Streets,” Smithsonian American Art Museum, Washington, DC (2017) (link)

“Mi Tierra: Contemporary Artists Explore Space,” Denver Art Museum, Denver, CO (2017)


Angel Otero

Dallas Contemporary, Dallas, TX (2018)

Solo Exhibition, Contemporary Art Museum Houston, Houston, TX (2016)


Pope.L

Whitney Biennial, Whitney Museum of American Art, New York, NY (2017)

Miller, M.H., “Protest Art in the Era of Trump,” The New York Times Style Magazine, February 19 (2017) (link)

“Black Pulp!,” International Print Center New York, New York, NY; travelled to University of South Florida Contemporary Art Museum, Tampa, FL; Ezra and Cecile Zilkha Gallery at Wesleyan University, Middeletown, CT (2016)

“Proto-Skin Set,” Mitchell-Innes & Nash, New York, NY (2017)

documenta 14, Athens, Greece and Kassel, Germany (2017)


Mary Reid Kelley

Pinto, Ana Teixeira, “Review: Mary Reid Kelley at Kunsthalle Bremen, Germany,” frieze (web), January 14 (2017) (link)

MacArthur Fellowship (2016)

“A Marquee Piece of Sod: The WWI Films of Mary Reid Kelley,” Kunsthalle Bremen, Bremen, Germany (2016)

Museum Leuven, Leuven, Belgium (2016) (link)

MUDAM, Luxembourg City, Luxembourg (2017) (link)

“The Arcades: Contemporary Art and Walter Benjamin,” The Jewish Museum, New York, NY (2017)

“Gray Matters,” Wexner Center for the Arts, Ohio State University, Columbus, OH (2017)


Dasha Shishkin

“DRAW/Boston,” Massachusetts College of Art and Design, Boston, MA (2016)

“Jillian Mayer, Dasha Shishkin, and Summer Wheat,” Andrew Edlin Gallery, New York, NY (2017)


Amy Sillman

“After Metamorphoses,” The Drawing Center, New York, NY (2017) (link)

“Gray Matters,” Wexner Center for the Arts, Ohio State University, Columbus, OH (2017)


Mickalene Thomas

Newcomb Art Museum, Tulane University, New Orleans, LA (2017)

“Mickalene Thomas: Do I Look Like a Lady?” Museum of Contemporary Art, Los Angeles, CA (2016) (link)

“Trigger: Gender as a Tool and a Weapon,” New Museum, New York, NY (2017) (link)

“Gray Matters,” Wexner Center for the Arts, Ohio State University, Columbus, OH (2017)


Nicola Tyson

Solo Exhibition, Contemporary Art Museum St. Louis, St. Louis, MO (2017) (link)

Sadie Cole’s, London, UK (2017)

The Drawing Room, London, UK (2017)

Corbett vs. Dempsey, Chicago, IL (2017)


Tam Van Tran

"Black Melong," Ameringer | McEnery | Yohe, New York, NY (2017)


Patrick Wilson

Ameringer | McEnery | Yohe, New York, NY (2017)