Amy Adler

Bendix, Trish, "Amy Adler’s ‘Hotel’ Explores Viewers’ Projected Desires," Into Magazine (web), May 9 (2018) (link)

Bendix, Trish, "Amy Adler's 'Hotel' Explores Viewers' Projected Desires," Into Magazine (web), May 9 (2018) (link)

Rubin, David S., “Amy Adler,” Visual Art Source (web), May (2018) (link)

Whitney Bedford

"Numinous," Carrie Secrist Gallery, Chicago, IL (2018) (link)

“New on the Wall (N.O.W.),” Pizzuti Collection, Columbus, OH (2018) (link)

Sadie Benning

"Sleep Rock," Camden Arts Centre, London, UK (2018) (link)

Ellen Berkenblit

Rodolphe Janssen, Brussels, Belgium (2018) (link)

"Lines Roar," The Drawing Center, New York, NY (2018) (link)

"LINE AND VERSE," Andréhn-Schiptjenko, Stockholm, Sweden (2018) (link)

Yau, John, “An Artist’s Film Not Like the Others,” Hyperallergic (web), June 15 (2018) (link)

Andrea Bowers

Smith, William S., "The Lookout: 'The Neighbors, part two, in two parts: Sanctuary: Andrea Bowers and Home: Andrea Aragón'," Art in America, January (2017) (link)

Miller, M.H., “Protest Art in the Era of Trump,” The New York Times Style Magazine, February 19 (2017) (link)

“Disrupting and Resisting,” Kauffman Repetto, Milan, Italy (2018) (link)

“Agora,” The High Line, New York, NY (2018) (link)

“Mis (missing) Information,” organized by Jody Zellen and Brian C. Moss, Charlie James Gallery, Los Angeles, CA (2018) (link)

“Power to the People. Political Art Now,” Schirn Kunsthalle Franfurt, Frankfurt, Germany (2018) (link)

Kim Dingle

"Shift," Denk Gallery, Los Angeles, CA (2018) (link)

Yau, John ,"Painting by Touch, Not by Sight," Hyperallergic (web), January 27 (2018) (link)

Miranda, Carolina, “Q&A: How Ed Sullivan, girls gone wild, an alligator and blindfold painting shaped the art of Kim Dingle,” Los Angeles Times, November 8 (2017) (link)

Pagel, David, “Kim Dingle lets her alter ego loose, and the result is a rip-roaring ride,” Los Angeles Times, October 28 (2017) (link)

Sean Duffy

“Tomorrowland,” CB1 Gallery, Los Angeles, CA (2018) (link)

Nicole Eisenman

Staatliche Kunsthalle Baden-Baden, Baden-Baden, Germany (forthcoming) (2018) (link)

“Go Figure,” Pizzuti Collection, Columbus, OH (2018)

“Scenes from the Collection,” Jewish Museum, New York, NY (2018)

“The Everywhere Studio,” Institute of Contemporary Art, Miami, FL (2017)

“The Trick Brain,” curated by Massimiliano Gioni, Aishti Foundation, Beirut, Lebanon (2017)

Varadi, Keith J., "Nicole Eisenman at Susanne Vielmetter Los Angeles Projects," carla (web), April 18 (2018) (link)

Gerwin, Daniel, "Nicole Eisenman’s Portraits of Angry White Men," Hyperallergic (web), April 12 (2018) (link)

Waters, Sydney, "Dark Light is a Masterpiece of Political Relevance," Art and Cake, April 9 (web) (2018) (link)

Mizota, Sharon, “In Nicole Eisenman’s paintings, a must-see mirror to America’s political moment,” Los Angeles Times (web), April 2 (2018) (link)

Charles Gaines

"Faces 1: Identity Politics," Paula Cooper Gallery, New York, NY (2018) (link)

“A Measure of Humanity,” Columbus Museum of Art, Columbus, OH (2018)

Institute of Contemporary Art, Miami, FL (2017)

“Solidary and Solitary: The Joyner / Giuffrida Collection,” presented by the Helis Foundation, Ogden Museum of Southern Art, New Orleans, LA; travelling to the Nasher Museum of Art, Duke University, Durham, North Carolina; Snite Museum of Art, Notre Dame University, South Bend, IN; Baltimore Museum of Art, Baltimore, MD; Berkeley Art Museum and Pacific Film Archive (BAMPFA), University of California, Berkeley, CA (2017) (link)

“Field Guide,” Remai Modern, Saskatoon, Canada (2017) (link)

Messina, Rab. “Charles Gaines Puts a Face to the Politics,” TL Magazine (web), May 24 (2018) (link)

Takac, Balasz, “On Identity Politics And Other Issues – An Interview with Charles Gaines,” WideWalls (web), May 29 (2018) (link)

Green, Kate, "500 Words: Charles Gaines," Artforum (web), December 19 (2017) (link)

Laird, Nick and Charles Gaines, “An Artist and a Poet Consider Commitment,” The New York Times Style Magazine, May 18 (2017) (link)

Liz Glynn

"The Archaeology of Another Possible Future," MASS MoCA, North Adams, MA (catalogue) (2017)

"Objects Like Us," The Aldrich Contemporary Art Museum, Ridgefield, CT (2018) (link)

"Statues Also Die," Fondazione Sandretto Re Rebaudengo and the Egyptian Museum, Turin, Italy (2018) (link)

"Picture Industry," Mecanique Generale, Parc des Ateliers, LUMA Arles, Arles, France (forthcoming) (2018) (link)

Settle, Kristin, “Sculpture Milwaukee returns June 1 to Wisconsin Avenue, Globe News Wire (web), June 1 (2018) (link)

Karl Haendel

"A Slice through the World: Contemporary Artists' Drawings," Drawing Room, London, UK and Modern Art, Oxford, UK (2018) (link)

Drawing Centre Diepenheim, The Netherlands (2017) (link)

“Game On!,” Philbrook Museum of Art, Tulsa, OK (2017)

“Unsere Amerikaner,” Kunsthalle Bielefeld, Bielefeld, Germany (2017)

“American Dream: Paintings and Drawings of American Realism since 1965,” Kunsthalle Emden, Emden, Germany (2017)

Goldman, Edward, “France and the US: Art and politics two centuries apart,” KCRW, January 10 (2017) (link)

Harren, Natilee, “Karl Haendel: Knight’s Heritage,” LAXART, Los Angeles, CA (2017)

Harmony Hammond

"Erasing Censorship," Artist Curated Projects, Los Angeles, CA (2018) (link)

Ollman, Leah, "Harmony Hammond: Boundary-breaking work with a story on its surface," Los Angeles Times, January 5 (2018) (link)

Samuel Levi Jones

“Nexus,” Patron Gallery, Chicago, IL (2018) (link)

“Sidelined,” curated by Samuel Levi Jones, Galerie Lelong & Co., New York, NY (2018) (link)

Stanya Kahn

"Stand in the Stream," The Box at Wexner Center for the Arts, Ohio State University, Columbus, OH (2018) (link)

“Street Views,” Contemporary Art Museum St. Louis, St. Louis, MO (2018)

Gritz, Anna, “And I Stop and I Turn and I Go for a Ride,” Mousse Magazine 60, November (2017) (link)

Taubin, Amy, “A River Runs Through It,” Artforum (web), August 31 (2017) (link)

Diehl, Travis, “Stanya Kahn at Susanne Vielmetter Los Angeles Projects,” frieze (web), May 11 (2017) (link)

Mizota, Sharon, "Chat rooms, home movies, life, death: A tangled, touching video at Susanne Vielmetter," Los Angeles Times, May 4 (2017) (link)

"Happy Song for You," ltd los angeles, Los Angeles, CA (2018) (link)

"Stand in the Stream," National Gallery of Art, Washington, D.C. (2018) (link)

Hayv Kahraman

"PROJECT SERIES 52: Hayv Kahraman," Pomona College Museum of Art, Claremont, CA (forthcoming) (2018) (link)

“Suffering from Realness,” MASS MoCA, North Adams, MA (2019) (link)

Stoughton, India, “Middle Eastern Artists Give Traditional Art A Modern Twist,” Al-Monitor (web), June 4 (2018) (link)

Greenberger, Alex, "Shortlist Revealed for 2018 Jameel Prize," ARTnews (web), February 6 (2018) (link)

Ray, Sharmistha, “An Iraqi Artist Bears Witness to the Trauma of Displacement,” Hyperallergic (web), November 25 (2017) (link)

Al-Khudhairi, Wassan, “Acts of Reparation: Hayv Kahraman,” Contemporary Art Museum St. Louis, MO (2017) (link)

Mary Kelly

"Nucleus: Mary Kelly's 'Extase' and the birth of a women's art collection," New Hall Art Collection, Cambridge, UK (2018) (link)

"Virginia Woolf: An Exhibition Inspired by her Writings," Tate St. Ives, UK (2018) (link)

"Actions…the image of the world can be different," Kettles Yard, Cambridge, UK (2018) (link)

Nixon, Mignon, “October Files: Mary Kelly,” MIT Press, Cambridge, MA (2016) (link)

Shana Lutker

"Virginia Woolf: An Exhibition Inspired by her Writings," Tate St. Ives, UK (2018) (link)

Horst, Aaron, "Shana Lutker at Susanne Vielmetter Los Angeles Projects," Flash Art, March/April (2018)

“No. 1,” The Magic Hour, High Desert, CA (2018) (link)

Hudson, Suzanne, "Shana Lutker at Susanne Vielmetter Los Angeles Projects," Artforum, February (2018)

Dave McKenzie

Schneider, Tim, "‘It’s About a Sort of Twisted Magic’: How One Artist Is Revealing the Tricks of Racial Profiling at Frieze New York," Artnet news (web), May 2 (2018) (link)

Artist Grant, Visual Arts, Foundation for Contemporary Arts (2018) (link)

Rodney McMillian

"Against a Civic Death," The Contemporary Austin, Austin, TX (2018) (link)

Miranda, Carolina A., “L.A. artist Rodney McMillian peels back the façade on the ultimate symbol of power: the White House,” Los Angeles Times, January 10 (2018) (link)

Wangechi Mutu

"A Promise to Communicate,"Institute of Contemporary Art, Boston, MA (2018) (link)

2019 “Suffering from Realness,” MASS MoCA, North Adams, MA (2019) (link)

My Barbarian

United States Artists Fellowship, Theater and Performance, Chicago, IL (2018) (link)

Elizabeth Neel

“Surface Work,” Victoria Miro, London, UK (2018) (link)

Ruben Ochoa

“Sampled and Surveyed,” Art + Practice, Los Angeles, CA (2017) (link)

Safari, Ida, “Ruben Ochoa at Art + Practice,” Artillery, January 2 (2018) (link)

Zellen, Jody, “Ruben Ochoa at Art + Practice,” Art and Cake (web), October 7 (2017) (link)

Angel Otero

"Inherent Structures," Wexner Center for the Arts, Columbus, OH (2018) (link)


“One thing after the other,” La Panacée, Montpellier, France (2018) (link)

“Becoming American,” San Juan Island, Seattle, WA (2018) (link)

"Other Mechanisms,” curated by Anthony Huberman, Secession, Vienna (2018) (link)

"Agora," The High Line, New York, NY (2018) (link)

"If Not Apollo, the Breeze,” Kadist, San Francisco, CA (2017) (link)

O'Grady, Megan, "Answering Society's Thorniest Questions, with Performance Art," T Magazine, New York Times, March 2 (2018) (link)

Mary Reid Kelley

"We Are Ghosts," Baltimore Museum of Art, Baltimore, MD (2018) (link)

“Blind Faith: Between the visceral and the Cognitive in Contemporary Art,” Haus der Kunst, Munich, Germany (2018)

Thorne, Harry, "The Burlesque Worlds of Mary Reid Kelley and Patrick Kelley," frieze, April 5 (2018) (link)

Culpan, Daniel, "Mary Reid Kelley and Patrick Kelley at Tate Liverpool," Artforum, January (2018) (link)

Arlene Shechet

“More Than I Know,” curated by Karin Campbell, Joslyn Art Museum, Omaha, NE (2018) (link)

“Travel Light,” The Jewish Museum, New York, NY (2018) (link)

“Molding/Mark-Making: Ceramic Artists and Their Drawings,” curated by Margaret Matthews-Berenson and Allison Peller, Dorsky Gallery Curatorial Programs, Long Island City, NY (2018) (link)

Amy Sillman

"Mostly Drawing," Gladstone Gallery, New York, NY (2018) (link)

"Inherent Structures," Wexner Center for the Arts, Columbus, OH (2018)

April Street

Zappa Preston, Lindsay, "April Street: The Shoulder and the Bow at Susanne Vielmetter Los Angeles Projects," ArtReview, April (2018) (link)

Mickalene Thomas

“Muse: Mickalene Thomas Photographs and tête-à-tête,” Aperture, New York, NY; travelled to Maryland Institute College of Art, Baltimore, MD; Virginia Museum of Contemporary Art, Virginia Beach, VA (2017); Georgia Museum of Art, Athens, GA (2017); Pomona College Museum of Art, Claremont, CA (2018) (link)

“Mickalene Thomas: I Can’t See You Without Me,” Wexner Center for the Arts, Columbus, OH (2018)

“Figuring History: Robert Colescott, Kerry James Marshall, Mickalene Thomas,” Seattle Art Museum, Seattle, WA (2018) (link)

“10 LGBTQ+ Artists who Redefined Contemporary Art,” Mutual Art (web), June 7 (2018) (link)

Monique van Genderen

“Being Here With You/ Estando aquí contigo: 42 Artists from San Diego and Tijuana,” Museum of Contemporary Art San Diego, San Diego, CA (2018) (link)

Tam Van Tran

“Carbon,” FOCA, Los Angeles, CA (2018) (link)

Patrick Wilson

Pagel, David," When a rectangle is more than a rectangle: Making sense of Patrick Wilson's colorful chaos," Los Angeles Times, February 5 (2018) (link)