News

Nick Aguayo

“Wrong II,” PØST, Los Angeles, CA (2017)

“Vantage,” Finishing Concepts, Los Angeles, CA (2017)

“Objective / Non Objective,” Gallery Also, Los Angeles, CA (2017) (link)


Edgar Arceneaux

Yerba Buena Center for the Arts, San Francisco, CA (Solo Exhibition) (2017) (link)

“Pivotal: Highlights from the Collection,” Orange County Museum of Art, Newport Beach, CA (2017)

“Performa: Commissions from Performa’s Archives,” Whitechapel Gallery, London, UK (2017) (link)

Mizota, Sharon, “Review: Ben Vereen, Ronald Reagan and the travesty of blackface, potently remembered,” Los Angeles Times, June 16 (2017) (link)

L'Official, Pete, "When Ben Vereen Wore Blackface to Reagan's Inaugural Gala," The New Yorker, January 6 (2017) (link)

Swenson, Kirsten, “Reviews: Edgar Arceneaux at MIT List Visual Arts Center,” Art in America (web), January 11 (2017) (link)

"Art in the Twenty-First Century," ART21 (2016) (link)


Sadie Benning

“Trigger: Gender as a Tool and a Weapon,” New Museum, New York, NY (2017) (link)

Campbell, Andy, “Sadie Benning at Susanne Vielmetter Los Angeles Projects,” Artforum, May (2017) (link)


Ellen Berkenblit

Rodolphe Janssen, Brussels, Belgium (2018) (link)

"LINE AND VERSE," Andréhn-Schiptjenko, Stockholm, Sweden (2018) (link)

"A Space for Thought,” Brand New Gallery, Milan, Italy (2017)

“Club 57: Film, Performance, and Art in the East Village, 1978-1983,” Museum of Modern Art, New York, NY (2017) (link)

“Club 57: Film, Performance, and Art in the East Village, 1978-1993,” New Yorker, November (2017) (link)

Nadel, Dan, “Tigers, Horses, and Stripes,” The New York Review of Books, June 30 (2017) (link)

Yau, John, “Will Someone Please Give Ellen Berkenblit a Museum Show Already,” Hyperallergic (web) June 10 (2017) (link)


Andrea Bowers

Smith, William S., "The Lookout: 'The Neighbors, part two, in two parts: Sanctuary: Andrea Bowers and Home: Andrea Aragón'," Art in America, January (2017) (link)

Miller, M.H., “Protest Art in the Era of Trump,” The New York Times Style Magazine, February 19 (2017) (link)

"¿¡Welcome?!," Manetti Shrem Museum, University of California, Davis, CA (2018) (link)

"Manifesto: A Moderate Proposal," curated by Ciara Ennis and Jennifer Vanderpool, Pitzer College Art Galleries, Claremont, CA (2018) (link)

"An Incomplete History of Protest: Selections from the Whitney's Collection, 1940 - 2017," Whitney Museum of American Art, New York, NY (2017) (link)

“Sonic Rebellion: Music as Resistance,” Museum of Contemporary Art Detroit, Detroit, MI (2017)


Kim Dingle

Sperone Westwater, New York, NY (2018) (link)

"Shift," Denk Gallery, Los Angeles, CA (2018) (link)

Yau, John ,"Painting by Touch, Not by Sight," Hyperallergic (web), January 27 (2018) (link)

Miranda, Carolina, “Q&A: How Ed Sullivan, girls gone wild, an alligator and blindfold painting shaped the art of Kim Dingle,” Los Angeles Times, November 8 (2017) (link)

Zellen, Jody, “Kim Dingle at Susanne Vielmetter LA Projects,” Art and Cake (web), November 7 (2017) (link)

Pagel, David, “Kim Dingle lets her alter ego loose, and the result is a rip-roaring ride,” Los Angeles Times, October 28 (2017) (link)

Goldman, Edward, “Sizzling weather, cool art,” KCRW Art Talk (web and radio), October 25 (2017) (link)


Sean Duffy

“Pivotal: Highlights from the Collection,” Orange County Museum of Art, Newport Beach, CA (2017)


Nicole Eisenman

"Now or Never," Secession, Vienna, Austria (2017) (link)

Skulptur Projekte Münster, Münster, Germany (2017)

Susanne Vielmetter Los Angeles Projects, Los Angeles, CA (2018)

“The Trick Brain,” curated by Massimiliano Gioni, Aishti Foundation, Beirut, Lebanon (2017)


Charles Gaines

Institute of Contemporary Art, Miami, FL (2017) (link)

“Solidary and Solitary: The Joyner / Giuffrida Collection,” presented by the Helis Foundation, Ogden Museum of Southern Art, New Orleans, LA; travelling to the Nasher Museum of Art, Duke University, Durham, North Carolina; Snite Museum of Art, Notre Dame University, South Bend, IN; Baltimore Museum of Art, Baltimore, MD; Berkeley Art Museum and Pacific Film Archive (BAMPFA), University of California, Berkeley, CA (2017) (link)

“Field Guide,” Remai Modern, Saskatoon, Canada (2017) (link)

Green, Kate, "500 Words: Charles Gaines," Artforum (web), December 19 (2017) (link)

Laird, Nick and Charles Gaines, “An Artist and a Poet Consider Commitment,” The New York Times Style Magazine, May 18 (2017) (link)


Karl Haendel

Goldman, Edward, “France and the US: Art and politics two centuries apart,” KCRW, January 10 (2017) (link)

“Unsere Amerikaner,” Kunsthalle Bielefeld, Bielefeld, Germany (2017)

“American Dream: Paintings and Drawings of American Realism since 1965,” Kunsthalle Emden, Emden, Germany (2017)

Drawing Centre Diepenheim, The Netherlands (2017) (link)

“Game On!,” Philbrook Museum of Art, Tulsa, OK (2017)

Harren, Natilee, “Karl Haendel: Knight’s Heritage,” LAXART, Los Angeles, CA (2017)


Harmony Hammond

"Erasing Censorship," Artist Curated Projects, Los Angeles, CA (2018) (link)

Ollman, Leah, "Harmony Hammond: Boundary-breaking work with a story on its surface," Los Angeles Times, January 5 (2018) (link)


Samuel Levi Jones

“Sidelined,” curated by Samuel Levi Jones, Galerie Lelong & Co., New York, NY (2018) (link)


Stanya Kahn

"Stand in the Stream," The Box at Wexner Center for the Arts, Ohio State University, Columbus, OH (2018) (link)

“Street Views,” Contemporary Art Museum St. Louis, St. Louis, MO (2018)

“Crossroads,” Anren Biennale, Anren, Sichuan Province, China (2017)

“Trigger: Gender as a Tool and a Weapon,” New Museum, New York, NY (2017) (link)

Gritz, Anna, “And I Stop and I Turn and I Go for a Ride,” Mousse Magazine 60, November (2017) (link)

Taubin, Amy, “A River Runs Through It,” Artforum (web), August 31 (2017) (link)

Diehl, Travis, “Stanya Kahn at Susanne Vielmetter Los Angeles Projects,” frieze (web), May 11 (2017) (link)

Mizota, Sharon, "Chat rooms, home movies, life, death: A tangled, touching video at Susanne Vielmetter," Los Angeles Times, May 4 (2017) (link)

"Happy Song for You," ltd los angeles, Los Angeles, CA (2018) (link)

"Stand in the Stream," National Gallery of Art, Washington, D.C. (2018) (link)


Hayv Kahraman

"Re-weaving Migrant Inscriptions," Jack Shainman Gallery, New York, NY (2017) (link)

"Acts of Reparation," Contemporary Art Museum St. Louis, St. Louis, MO (2017) (link)

“Between Two Round of Fire, the Exile of the Sea,” works from the collection of the Barjeel Art Foundation, United Arab Emirates, curated by Karim Sultan, Katzen Art Center, American University Museum, Washington, D.C. (2017)

”Dreamers Awake,” White Cube Gallery, London, UK (2017)

Greenberger, Alex, "Shortlist Revealed for 2018 Jameel Prize," ARTnews (web), February 6 (2018) (link)

Ray, Sharmistha, “An Iraqi Artist Bears Witness to the Trauma of Displacement,” Hyperallergic (web), November 25 (2017) (link)

Al-Khudhairi, Wassan, “Acts of Reparation: Hayv Kahraman,” Contemporary Art Museum St. Louis, MO (2017) (link)


Raffi Kalenderian

"Always in Rare Form," Buchmann Galerie, Berlin, Germany (2018) (link)


Mary Kelly

"Nucleus: Mary Kelly's 'Extase' and the birth of a women's art collection," New Hall Art Collection, Cambridge, UK (2018) (link)

"Virginia Woolf: An Exhibition Inspired by her Writings," Tate St. Ives, UK (2018) (link)

"Actions…the image of the world can be different," Kettles Yard, Cambridge, UK (2018) (link)

“An Incomplete History of Protest,” Whitney Museum of American Art, New York, NY (2017) (link)

Nixon, Mignon, “October Files: Mary Kelly,” MIT Press, Cambridge, MA (2016) (link)


Dan Levenson

“SKZ Form and Color Studies,” Praz Delavallade, Paris, France (2018) (link)

"SKZ Monochrome Diptychs," House of the Book, Brandeis-Bardin Institute, Simi Valley, CA (2017) (link)


Shana Lutker

"a.k.a. Public Opinion," Susanne Vielmetter Los Angeles Projects, Los Angeles, CA (2017)

"Virginia Woolf: An Exhibition Inspired by her Writings," Tate St. Ives, UK (2018) (link)

Hudson, Suzanne, "Shana Lutker at Susanne Vielmetter Los Angeles Projects," Artforum, February (2018)


Dave McKenzie

University Art Museum, University at Albany SUNY, Albany, NY (2017)

“The Half-Life of Love,” MASS MoCA, North Adams, MA (2017) (link)

Artist Grant, Visual Arts, Foundation for Contemporary Arts (2018) (link)


Rodney McMillian

"Against a Civic Death," The Contemporary Austin, Austin, TX (2018) (link)

Hunter, Becky Huff, “Waging an Artist’s War,” Sculpture, January / February (Cover and Feature) (2017) (link)

“Pivotal: Highlights from the Collection,” Orange County Museum of Art, Newport Beach, CA (2017)

“In the Abstract,” MASS MoCA, North Adams, MA (2017) (link)

Miranda, Carolina A., “L.A. artist Rodney McMillian peels back the façade on the ultimate symbol of power: the White House,” Los Angeles Times, January 10 (2018) (link)


Wangechi Mutu

Performa 17, New York, NY (2017)

“Outcasts: Women in the Wilderness,” Wave Hills Arts Center, Bronx, NY (2017)

"A Promise to Communicate,"Institute of Contemporary Art, Boston, MA (2018) (link)

“Journeys into Peripheral Worlds” Des Moines Arts Center, Des Moines, IA (2017)


My Barbarian

“One day this kid will get larger,” DePaul Art Museum, Chicago, IL (2017)

United States Artists Fellowship, Theater and Performance, Chicago, IL (2018) (link)


Ruben Ochoa

“Down These Mean Streets: Community and Place in Urban Photography,” Smithsonian American Art Museum, Washington, DC (2017) (link)

“Mi Tierra: Contemporary Artists Explore Space,” Denver Art Museum, Denver, CO (2017)

“Sampled and Surveyed,” Art + Practice, Los Angeles, CA (2017) (link)

Safari, Ida, “Ruben Ochoa at Art + Practice,” Artillery, January 2 (2018) (link)

Zellen, Jody, “Ruben Ochoa at Art + Practice,” Art and Cake (web), October 7 (2017) (link)


Angel Otero

"Elegies," Bronx Museum of the Arts, Bronx, NY (2017) (link)

“Best of 2017: Our Top 20 NYC Art Shows,” Hyperallergic (web), December 19 (2017) (link)

Floresheim, Lane, “Artist Angel Otero’s New Show is All About Memory,” The Wall Street Journal (web), October 23 (2017) (link)


Pope.L

Miller, M.H., “Protest Art in the Era of Trump,” The New York Times Style Magazine, February 19 (2017) (link)

“Brown People are the Wrens in the Parking Lot,” Logan Center Gallery, Chicago, IL (2017) (link)

"If Not Apollo, the Breeze,” Kadist, San Francisco, CA (2017) (link)

Sharp, Sarah Rose, “Pope.L’s Conceptual Bottled Water Project Calls Attention to the Crisis in Flint,” Hyperallergic (web), October 18 (2017) (link)

Huffman, Jibade-Khalil, “Slaves to Meaning: Jibade-Khalil Huffman in conversation with Pope.L,” FlashArt, June / July / August (2017) (link)

Freeman, Nate, “Careful Whisper: Pope.L Discusses His Documenta Sound Work, Hidden Across Kassel,” ArtNews (web), June 8 (2017) (link)


Mary Reid Kelley

MUDAM, Luxembourg City, Luxembourg (2017) (link)

"We Are Ghosts," Tate Liverpool, Liverpool, UK (2017) (link)

Culpan, Daniel, "Mary Reid Kelley and Patrick Kelley at Tate Liverpool," Artforum, January (2018) (link)


Amy Sillman

"Mostly Drawing," Gladstone Gallery, New York, NY (2018) (link)


Mickalene Thomas

“Muse: Mickalene Thomas Photographs and tête-à-tête,” Aperture, New York, NY; travelled to Maryland Institute College of Art, Baltimore, MD; Virginia Museum of Contemporary Art, Virginia Beach, VA (2017); Georgia Museum of Art, Athens, GA (2017); Pomona College Museum of Art, Claremont, CA (2018) (link)

"Waiting on a Prime-Time Star," Moody Center for the Arts, Rice University, Houston, TX (2017) (link)

"Mickalene Thomas: Mentors, Muses, and Celebrities," Contemporary Art Museum St. Louis, St. Louis, MO (2017) (link)

“Figuring History: Robert Colescott, Kerry James Marshall, Mickalene Thomas,” Seattle Art Museum, Seattle, WA (2018) (link)

“Sonic Rebellion: Music as Resistance,” Museum of Contemporary Art Detroit, Detroit, MI (2017)

“Body of Work,” Honolulu Museum of Art, Honolulu, HI (2017)

“Trigger: Gender as a Tool and a Weapon,” New Museum, New York, NY (2017) (link)


Nicola Tyson

“Petzel at Nanzuka,” Nanzuka, Tokyo, Japan (2017)

Harris, Mark, “Critic’s Pick: Nicola Tyson at the Drawing Room, London,” Artforum (web), October (2017) (link)


Monique van Genderen

"Belief in Giants," Miles McEnery Gallery, New York, NY (2018)


Tam Van Tran

“Drawing: The Beginning of Everything,” Albright-Knox Art Gallery, Buffalo, NY (2017)


Patrick Wilson

"Belief in Giants," Miles McEnery Gallery, New York, NY (2018) (link)

“Pivotal: Highlights from the Collection,” Orange County Museum of Art, Newport Beach, CA (2017)

Pagel, David," When a rectangle is more than a rectangle: Making sense of Patrick Wilson's colorful chaos," Los Angeles Times, February 5 (2018) (link)