Liz Glynn

Platonic Solids, Set 11

"Platonic Solids, Set 6"

"The Archaeology of Another Possible Future," Installation View, MASS MoCA, North Adams, MA, 2017, Photo credit: David Dashiell

"The Archaeology of Another Possible Future," Installation View, MASS MoCA, North Adams, MA, 2017, Photo credit: Steven Probert




"Open House," Installation detail, Presented by the Public Art Fund at Doris C. Freeman Plaza, Central Park South, New York, NY, 2017, Photo credit: Steven Probert

Untitled (Tumbleweed V), 2017, Cast stainless steel, 13.5 x 14 x 11.5 inches

"Open House," Installation view, Presented by the Public Art Fund at Doris C. Freeman Plaza, Central Park South, New York, NY, 2016, Cast concrete, 26 objects, Photo credit: James Ewing

"Open House," Public Art Fund, Doris C. Freedman Plaza, New York, NY, 2016, Cast concrete, 26 objects, Photo credit: James Ewing

Emotional Architecture, Gestural Fragment XI

"Myth of Singularity," Installation view, Paula Cooper Gallery, New York, NY, 2017, Photo credit: Stephen Probert

"Untitled (after Balzac, with Burgher)," Installation view, Petit Palais, 2014, Cast bronze, 71 x 46 x 23 inches, Photo credit: Robert Glowacki

"Untitled (after Shade)," Installation view, Los Angeles County Museum of Art, Los Angeles, CA, 2014, Cast bronze, 32 x 33.75 x 83 inches, Photo credit: Fredrik Nilsen

"After Thinker," detail

"RANSOM ROOM (Stage II: Accumulation)," Installation view, SculptureCenter, 2014, 17 x 22 x 10 feet, Photo credit: Jason Mandella

"Anonymous Needs and Desires (Giza/Gaza)," Installation view, Hammer Museum, Los Angeles, CA, 2012

Vessel (Ravaged, Looted, & Burned), 2013, Hardwood (Ash and Western Red Cedar) with bronze and steel hardware, rope, 86 x 246 x 73 inches, Photo credit: Stephen Probert

California Surrogates for the Getty, 2008, California yard waste, trash, plaster, Victory wax, 72 x 132 x 48 inches