Liz Glynn

Born in Boston MA
Lives and works in Los Angeles
MFA, California Institute of the Arts, Los Angeles, CA
BA, Harvard College, Visual and Environmental Studies, Cambridge, MA

Solo Exhibitions

Susanne Vielmetter Los Angeles Projects, Los Angeles, CA (forthcoming)
"The Fear Index," LIVE, Frieze, London, UK
"Open House," Now+There, Boston, MA
"The Archaeology of Another Possible Future," MASS MoCA, North Adams, MA
"Open House," Doris C. Freedman Plaza, The Public Art Fund, New York, NY
"The Myth of Singularity," Paula Cooper Gallery, New York, NY
"The Myth of Singularity," Los Angeles County Museum of Art, Los Angeles, CA
"PATHOS (Exercise Series)," Paula Cooper Gallery, New York, NY
"RANSOM ROOM," SculptureCenter, Long Island City, NY
"HOLD NOTHING," ArtPACE, San Antonio, TX
"On the Possibility of Salvage," Paula Cooper Gallery, New York, NY
"VAULT," Frieze Projects, Frieze Art Fair, Randall’s Island, NY
"[de]-lusions of Grandeur," Los Angeles County Museum of Art, Los Angeles, CA
"HOARD," Redling Fine Art, Los Angeles, CA
"gold after gold," Redling Fine Art, Los Angeles, CA
"black box," as part of the J. Paul Getty Museum’s Pacific Standard Time Performance Art and Public Art Festival, produced by Glenn Phillips & Lauri Firstenberg, Los Angeles, CA
"No Second Troy," Pitzer College Art Galleries, Claremont, CA
"Spirit Resurrection," Los Angeles Contemporary Exhibitions (LACE), Los Angeles, CA
"Loving You is Like _ _ _ _ _ _ _ the Dead," MOCA, Los Angeles, CA
"Alexandria and Other Losses," Works Sited, Los Angeles Public Library, Los Angeles, CA
"III," produced by Redling Fine Art, Los Angeles, CA
"Out of the Forest & Into the Light," Machine Project & the L.A. Opera Ring Cycle Festival, Los Angeles, CA
"California Surrogates for the Getty," Anthony Greaney, Boston, MA
"The 24-Hour Roman Reconstruction Project," Arthouse at the Jones Center, Austin, TX
"65 | 77 | 03 | -," workspace, Los Angeles, CA
"All that is solid," Anthony Greaney, Boston, MA
"The 24-Hour Roman Reconstruction Project," Machine Project, Los Angeles, CA

Group Exhibitions

“2018 Sculpture Milwaukee,” Milwaukee, WI (link)
"Objects Like Us," The Aldrich Contemporary Art Museum, Ridgefield, CT (link)
"Statues Also Die," Fondazione Sandretto Re Rebaudengo and the Egyptian Museum, Turin, Italy (link)
"Picture Industry," Mecanique Generale, Parc des Ateliers, LUMA Arles, Arles, France (link)
"Manifesto: A Moderate Proposal," Pitzer College Art Galleries, Claremont, CA (link)
"Like a Moth to a Flame," Fondation Sandretto Re Rebaudengo, Turin, Italy
"Rodin and the Contemporary Figurative Tradition," Frederik Meijer Gardens & Sculpture Park, Grand Rapids, MI
"Picture Industry," Hessel Museum of Art at the Center for Curatorial Studies, Bard College, Annandale-On-Hudson, NY
"The Gates of Hell," The Institute for New Feeling with Arturo Bandini, Ballroom Marfa
"Systematically Open: New Forms for Contemporary Image Production," Luma Foundation, Arles, France
"Sim City," Arturo Bandini at Ballroom Marfa, Marfa, TX
"In Place of," Miguel Abreu, New York, NY
"All Right," Redling Fine Art, Los Angeles, CA
"Station to Station," Barbican Centre, London, UK
"Two/Each," Barbara Krakow Gallery, Boston, MA
"Bloody Red Sun of Fantastic L.A.," PIASA, Paris, France
"Alchemy," D.C. Moore Gallery, Washington D.C.
"Dissolving Margins," Paula Cooper Gallery, New York, NY
"ArtPublic," curated by Nicholas Baume, Art Basel Miami Beach, Miami FL
"A Machinery for Living," Petzel Gallery, New York, NY
"Biennial de Paiz, Concepcion 41," curated by José Luis Blondet, La Antigua, Guatemala
"I Take Part and the Part Takes Me," Galerie Tanja Wagner, Berlin, Germany
"Jonathan Borofsky, Sam Durant, Charles Gaines, Liz Glynn, Wayne Gonzales, Hans Haacke, Walid Raad, Carey Young," Paula Cooper Gallery, New York, NY
"Station to Station," a traveling performance festival organized by Doug Aiken
"The only performances that make it all the way," Kunstlerhaus Halle fur Kunst & Medien, Graz, Austria
"Renaissance Resistance. Resistance Renaissance," Villa Romana, Florence, Italy Neo Povera, L&M Arts, Los Angeles, CA
"Works Sited," reprised, Cleopatra’s, New York, NY
"Set Pieces," Cardi Black Box, Milan, Italy
"Between This, That and the Other Thing," Harris Lieberman, New York, NY
"Lost Line: Contemporary Art from the Collection," Los Angeles County Museum of Art, Los Angeles, CA
"Cleopatra’s Family Jewels," Cleopatra’s at Family Business, New York, NY
"Eight Sculptors," Paula Cooper Gallery, New York, NY
"Nothing is forgotten, some things considered," UKS, Oslo, Norway
"A set of performative dinners with Liz Glynn," The Academy / The Chthonic at Eleusis by Scott Benzel, Public Fiction, Los Angeles, CA
"Made in L.A. 2012," The Hammer Museum, in collaboration with LAXART, Los Angeles, CA
"Invisible Cities," MASS MoCA, North Adams, MA
"Second Story | new editions, Pepin Moore, Los Angeles, CA
"Temporary Structures: Performing Architecture in Contemporary Art," deCordova Sculpture Park and Museum, Lincoln, MA
"Utopia or Oblivion," Performa 11, curated by RoseLee Goldberg, New York, NY
"Benefit For The Student Mobilization Committee To End The War in Vietnam," Redling Fine Art, Los Angeles, CA
"On Forgery: Is One Thing Better Than Another?," curated by Andrew Berardini and Lesley Moon, LA><ART, Los Angeles, CA
"No Swan So Fine," curated by Joanna Fiduccia, Michael Benevento, Los Angeles, CA
"Greater LA," organized by Eleanor Cayre, Benjamin Godsill, and Joel Mesler, New York, NY
"7 Sculptors," Brennan & Griffin, New York, NY
"Sculpture," Paula Cooper Gallery, New York, NY
"Object Lessons," Carpenter Center for the Visual Arts, Cambridge, MA
"The shortest distance between 2 points is often intolerable," Brand New Gallery, Milan, Italy
"Collective Show," with the Public School, Human Resources, Los Angeles, CA
"Verse | Chorus | Verse," Art Los Angeles Contemporary Special Projects, Los Angeles, CA
"Embarrassment / Theory," Gallery KM, Santa Monica, CA
"Let Them Eat LACMA," Los Angeles County Museum of Art, Los Angeles, CA
"The Big Four," Steve Turner Contemporary, Los Angeles, CA
"The Elysian Park Museum of Art," LACE, Los Angeles, CA
"Projects and Assignments," curated by Andrew Berardini, Saprophyt, Vienna, Austria
"Phenomenal: Selections from the Manuel de Santaren Collection," Young Projects, LA
"Perform Now!," collaboration with Corey Fogel, Human Resources, Los Angeles, CA
"Bizarre Animals," curated by Carlin Wing, Harvard Museum of Natural History, Cambridge, MA
"The Generational: Younger than Jesus," curated by Lauren Cornell, Massimo Gioni, and Laura Hauptman, The New Museum, New York, NY
"Bellwether, "Southern Exposure, San Francisco, CA
"Perform Now!," Chung King Project, Los Angeles, CA
"Untitled," (with Nate Page) Bolsky Gallery, Otis College of Art & Design, Los Angeles, CA
"Performing Economies," Fellows of Contemporary Art, Los Angeles, CA
"Paradise," (with Mariechen Danz), 7th and Fig Art Space, Los Angeles, CA
"Material Histories," O’Artoteca, Milan, Italy
"A Machine Project Guide to LACMA," Los Angeles County Museum of Art, Los Angeles, CA
"Late Night Snack," REDCAT Lounge, Los Angeles, CA "Exchange Rate 2008," Sea and Space, Los Angeles, CA
"Old Los Angeles Zoo," SLAB / Art 2102, Los Angeles, CA
"GLAMFA," CSU Long Beach, Long Beach, CA
"We Want a New Object," curated by Malik Gaines and Christine Y. Kim, Acuna- Hansen Gallery, Los Angeles, CA

Fellowships and Residencies

Delfina Foundation Residency, London, England
Rauschenberg Foundation Residence, Captiva, FL
Creative Capital Emerging Fields Grant
Pollock-Krasner Foundation Grant
Orange County Collector’s Committee Grant
Harpo Foundation, Individual Artist Grant
Kakehashi Project, Japan Foundation, Tokyo, Japan
International Artist-in-Residence, Artpace, San Antonio, TX
Center for Cultural Innovation, Investing in Artist Grant for Artistic Innovation
California Community Foundation, Emerging Artist Fellowship
Artist Researcher, Los Angeles Goes Live, L.A.C.E., Los Angeles
O'artoteca, Milan, Italy
Atlantic Center for the Arts, New Smyrna Beach, FL,
Joan Mitchell Foundation Associate Artist fellowship
Vermont Studio Center, Johnson VT
Alfred Alcalay Prize


"The Afterlife of Sculptures: Posthumous Casts in Scholarship, the Market, and the Law," The Dedalus Foundation, New York, NY
Williams College, Williamstown, MA
Fine Art Work Center, Provincetown, MA
Harvard College, Boston, MA
California State University at Long Beach, CA
Liz Glynn in Conversation with Jason Farago, NeueHouse Hollywood, CA
University of California, Riverside, CA
Public Art Fund Talks at The New School, New York, NY
The Idea of Time. Museum of Contemporary Art, Los Angeles, CA
2016 Gut-Rehab: Artists Addressing the Built Frontier, A Creative Capital Creative Conversation. San Francisco Art Institute, San Francisco, CA
Panel: Fieldwork, with Nicholas Baume. Art Basel Miami Beach, Miami, FL
360 Speaker Series, Nasher Sculpture Center, Dallas, TX
Texas State University, San Marcos, TX
Symposium: The Artist in Public Life: A Symposium on Public Practices. San Francisco Art Institute, San Francisco, CA
Design Dialogues: Social Club: Participation, Occupation, and Communication. Art Center College, Pasadena, CA
OTIS College of Art and Design, Los Angeles, CA
California Institute of the Arts, Valencia, CA
Chapman University, Orange, CA
Carpenter Center for Visual Arts, Cambridge, MA

Selected Press

"Frieze London Opens This Friday," ArtForum (web), October 3 (link)
Baradel, Lacey, "Figuring History: Robert Colescott, Kerry James Marshall, Mickalene Thomas," CAA Reviews, September 21 (link)
"Diana Campbell Betancourt Introduces Live 2018," Frieze, September 21 (link)
Brown, Mark, "Frieze London art fair returns with gossiping opera singer," The Guardian (web), September 20 (link)
Iredale, Jessica, "Rosetta Getty RTW Spring 2019," WWD, September 10 (link)
"New York Fashion Week Women’s S/S 2019 Editor’s Picks," Wallpaper, September 11 (link)
Marcisz, Christopher, "Liz Glynn’s Comforting Vision of a Dystopian Future," Hyperallergic, August 28 (link)
Marcisz, Christopher, "Liz Glynn’s Comforting Vision of a Dystopian Future," Hyperallergic (web), August 27 (link)
Anderson, Lindsey, "Catch a Free Sculpture Milwaukee Talk at the Pfister Tonight," Milwaukee Magazine (web), August 22 (link)
Harrington, Leah Triplett, "Redefining Common Space," Now + There blog, August 6 (link)
"Sculpture Milwaukee attracts visitors with tours, lectures and summer fun," Urban Milwaukee, July 18 (link)
Hagman, Sarah, "Sitting Pretty," The Improper Bostonian (web), August 3 (link)
McGowan, Amanda, "Get A Taste Of Gilded Age Living With A New Public Art Exhibit In Boston," WGBH, August 3 (link)
Katz, Marni Elyse, "Beautiful Ruins," The Boston Globe (web), August 2 (link)
Cook, Greg, "Recreating A Gilded Age Ballroom Outdoors In Boston To Mull Our Economic Future," Wonderland (web), July 30 (link)
Ambrose, Graham, "A new public art installation puts the ruins of a Gilded Age ballroom by Kenmore Square," The Boston Globe (web), July 27 (link)
Gerst, Ellen, "New Public Art Brings an Opulent Ballroom to the Comm. Ave. Mall," Boston Magazine (web), July 26 (link)
Garcia, Maria, "Art Installation In Kenmore Square Transforms An Opulent Ballroom Into A Ruin," wbur, July 26 (link)
Tang, Angela. “MASS MoCA’s ‘Archaeology’ Excavates Temporal Questions”, The Williams Record, February 7 (link)
“Pallets as Social Commentary”, DC Velocity, February 16 (link)
Prashad, Vijay. “Radical Journeys: Memories of the War on Jobs and the War on Terror”, NewsClick, February 23 (link)
Schlebusch, Preston. “Where Culture Meets Nature, Will Bidding Wars Follow?”, The New York Times, 13 April, (link)
Settle, Kristin, “Sculpture Milwaukee returns June 1 to Wisconsin Avenue, Globe News Wire (web), June 1 (link)
Kane, Tim, “Artist at MASS MoCA explores implication of production,” Times Union (web), March 28 (link)
Wood, Ann, "Liz Glynn makes art a game of thrones," Wicked Local (web), February 23 (link)
McQuaid, Cate. “At MASS MoCA, a dark look at a possible future”, The Boston Globe, 14 January (link)
Cheng, Scarlet. “Liz Glynn at MASS MoCA”, Artillery, 2 January
Carrigan, Margaret. “Liz Glynn Questions the Direction of American Progress at Mass MoCA”, Observer, 11 December, 2017. (online) (link)
Jones, Gillian. “Liz Glynn at Mass MoCA: A space filled with questions, but no answers”, The Berkshire Eagle, 3 November, 2017.
Kitnick, Alex. “Liz Glynn”, Artforum, October (link)
Seven, John. “Tools of Progress, Past and Future”, Hill Country Observer, October 2017.
Farago, Jason. “An Interview with Liz Glynn”, Even Magazine (Issue 8), September, 2017.
Knopf, Brinley. “Public Art Fund: Liz Glynn”, Spindle Magazine, 15 August, 2017. (online)
Farago, Jason. “Across New York, a Summertime Tour of Public Art”, New York Times, 29 June 2017. (link)
Green, Tyler. Episode No. 283, The Modern Art Notes Podcast. April 2017. (online)
Homes, A.M., “In Portrait: Liz Glynn, the Artist Who Turned Central Park into an Open-Air Ballroom”, Vanity Fair, March (link)
Luckel, Madeleine. “Gilded Age Furniture Is Now Decorating New York’s Central Park”, Vogue, March 1
Slenske, Michael. “Central Park Is Now Home to a Must-See Public Art Installation”, Architectural Digest, February 15
Handley, Lucy. “From Ai Weiwei's Dog to Indian wall painting: great public art – in pictures”, The Guardian, March 31 (link)
Wachs, Audrey. “Liz Glynn turns a corner of Central Park South into a Gilded Age living room for all”, The Architects Newspaper, 28 February 2017.
Helmke, Juliet. “Liz Glynn on her Public Art Fund Commission Opening in Doris C. Freedman Plaza this Spring”, Blouin ArtInfo, 9 February 2017. (online)
“Liz Glynn at Paula Cooper Gallery, New York”, ArtNews, 30 January 2017. (online)
Smith, William S. “Liz Glynn”, Art in America, 12 January
Munro, Cait. "Meet Creative Capital’s 63 Award-Winning Artists, Writers, and Performers," artnet, January 12 (link)
Small, Rachel. “10 Picks From Independent New York 2016,” Interview Magazine, March 4 (link)
Harris, Gareth. “Liz Glynn brings turn-of-the-century grandeur to Central Park with her open-air ballroom.” The Art Newspaper. 26 December
Cascone, Sarah. “Public Art Fund’s Spring Show Will Turn Central Park Into a Gilded Age Ballroom.” Artnet News. 22 December
Chow, Andrew R., “Gilded Age Ballroom Installation Coming to Central Park”, New York Times, 21 December
Soleil, David. “Liz Glynn Receives Creative Capital Grant”, 24700 (, 19 January (online)
“Creative Capital Announces 2016 Arts Awards Winners”, ArtForum, 12 January 2016. (online)
Miranda, Carolina A. “KCHUNG, Ann Carlson and Percival Everett among 6 in L.A. to win Creative Capital grants”, Los Angeles Times, 12 January 2016. (online)
Munro, Cait. “Meet Creative Capital’s 63 Award-Winning Artists, Writers, and Performers”, ArtNet, 12 January, 2016 (online)
Mason, Brooke. “Sculpture Series: Liz Glynn pays Tribute to Rodin at LACMA,” Wallpaper, November 9, 2015. (online) (link)
Wagley, Catherine. “Real Phonies: 5 Art Show You Should See in LA This Week.” LA Weekly, November 13, 2015.
Nathan, Emily. “artnet Asks: American Artist Liz Glynn,” Artnet, November 4, 2015. (online) (link)
Roffino, Sara. “Make It Official,” Blouin Art+Auction, October 2015, p. 34; illus.
Saltz, Jerry. “See: Liz Glynn”, New York Magazine, September 23, 2015, p 139- 140
Steadman, Ryan. “Weekend Edition: 10 Things to Do in New Yorkʼs Art World
Halle, Howard. “Criticʼs Picks,” Time Out New York, September 30 – October 6, 2015, p. 52.
“Before September 13,” The New York Observer, September 10, 2015 (online)
Searle, Adrian. “Station to Station at the Barbican”, The Guardian, 29 June 2015. (online)
“Doug Aitken and Liz Glynn”, BBC Radio London, June 24, 2015
Miller, M.H. "Liz Glynn and Dawn Kasper Debate the Theory of Everything," Art News, December 3 (link)
"Liz Glynn: RANSOM ROOM," SculptureCenter, Long Island City, NY
Small, Rachel. “Liz Glynn’s Golden Touch.” Interview Magazine. 3 June 2014. (online) (link)
Diehl, Travis. “Reviews: Liz Glynn”. ArtForum. April 2014. (online)
Fisch, Sarah. “ArtPace’s International Artists-in-Residence Geek Out.” San Antonio Current. 26 March, 2014
“Art”. The New Yorker. 3 February 2014. P 8
Kollak, Ginny. “Liz Glynn’s ‘On the Possibility of Salvage’”. Art Agenda. 29 January 2014. (online)
Miller, Michael. “The Siren Song of Liz Glynn: The Artist on Shipwrecks, Pirates, and Sending a Performer to Staten Island.” Gallerist NY. 21 January 2014. (online)
Yablonsky, Linda. “Winter Wonderland”. ArtForum. 15 January 2014. (online)
Linnert, Nicholas. “Critics’ Picks: Liz Glynn”. ArtForum. January 2014. (online)
Cooper, Ashton. “Paula Cooper Now Reps L.A. Artist Liz Glynn”. Blouin Artinfo. 27 September 2013. (online)
Kuipers, Dean. “The Expanding Universe of Doug Aitken’s “Station to Station”. Huff Post. 20 September 2013. (Online)
Kooser, Amanda. “Station to Station: A nomadic ‘art happening’ for the tech Age. Crave—CNET. 20 September 2013. (Online)
Lewis, Jim. “Doug Aitken: The Station to Station Agent”. W Magazine. September 2013.
Riefe, Jordan. “Artist Liz Glynn Tells the Story of LA Calder Sculpture Through Ballet Mecanique.” Blouin Artinfo, 22 April 2013. (online)
Laughlin, Shepherd. “Cocktail Art.” LS:N Global, The lifestyle news network. 27 May 2013. (online)
Brown, Griselda Murray. “Art fairs get a piece of the action.” Financial Times. 13 May 2013.
Solway, Diane. “Cultural Calendar: 10th Frieze Frame.” W Magazine. May 2013. p 126
Trebay, Guy. “At Frieze, the Elite Browse and Forage.” The New York Times. 11 May 2013. p ST 8.
Farago, Jason. “Frieze New York turns two with a giant balloon dog and a VIP- free speakeasy.” The Guardian. 10 May 2013.
Sharpe, Emily. “Free Drink! If you’re lucky...”The Art Newspaper. 9 May 2013.
Allen, Emma. “The Artistic Life: Fair Play.” The New Yorker. May 2013. p 24-25
Ellis Fox, Emily. “What She Finds: Histories through objects.” Modern Painters. May 2013. P 66-68
Blondet, José Luis. “Liz Glynn: The Myth of Getting It Right the First Time.” Unframed: the LACMA blog. 16 April 2013. Web.
Lescaze, Zoë. “Buck the Trend: Artists Channel Buckminster Fuller.” 10 April 2013. Web.
Blondet, José Luis. “Casting Call: [de]-lusions of Grandeur, a Performance Project by Liz Glynn.” Unframed: the LACMA blog. 18 January 2013. Web.
Mizota, Sharon. “Unfaithful Copies: Liz Glynn’s Ancient Artifacts.” 3 October 2012. Web.
Berardini, Andrew. "Hoards I Have Known." ArtSlant. ArtSlant, Inc., 18 Sept. 2012. Web.
Lawson, Thomas. “Artists at Work: Liz Glynn.” East of Borneo, 6 September Web.
Pincus-Roth, Zachary. “American Idol Meets the Museum : The Hammer’s Mohn Award is a grand experiment in art-world democracy.” LA Weekly, August 23
Baumgardner, Julie. “Q+A: Liz Glynn Discusses Her Sculptures for ‘Made in L.A.’” Surface Magazine Blog, August 8
Firstenberg, Lauri. “Made in L.A. 2012.” exhibition catalogue, 2012, The Hammer Museum, LAXART, and Barnsdall Municipal Gallery, Los Angeles, pages 48, 71-74.
Diehl, Travis. “Long Read: On the Intoxication of Ruin (The Party Ends).” ...might be good. Summer
Lawson, Thomas, Ciara Ennis, and Mark Allen. “Liz Glynn: No Second Troy.” Pitzer Art Galleries catalogue
Glynn, Liz. “Sculptors Discuss Sculpture.” Frieze. May, 2012 pages 204 – 213 (link)
Taft, Catherine. “Liz Glynn: Pitzer Art Galleries.” Artforum, April, 2012 pages 220 – 221
Shaw, Michael. “Liz Glynn.” ArtScene. February, 2012 Vol. 31, No. 6 pages 11 – 12
Berardini, Andrew. “The Rise and Fall of Liz Glynn.” Mousse Magazine, December 2011 – January 2012, pages 148 – 154
Baum, Gary, et al. “Arts & Power : On the Make.” Angeleno, December, 2011 page 73
Wagley, Catherine. “Occupy L.A. and the Art World : A wave of art projects go hand in hand with the protest” LA Weekly, November 24
Cashdan, Marina. “Domebound.” New York Times Design Blog, October 24
Sallabedra, Maria. “Liz Glynn’s Like A Patient Etherized Upon A Table (MOCA Goes Dark) Asked Visitors to Wander the Museum Blindfolded” LA Weekly Blog, November 4
Glynn, Liz. "Art in L.A." Artforum, October 2011, page 267
Myers, Holly. "Artist Liz Glynn Digs Through Rubble of History, Modern Times" Los Angeles Times, August 14
Fogel, Corey and Liz Glynn. "III" Public Fiction Quarterly. Summer 2011
Glynn, Liz. "Inverted Obelisk" from the Artist Project Series "A Monument to Forgetting" Cabinet, Summer 2011
Neel, Tucker. “The Big Four.” X-tra Magazine, Summer 2011, pages 65 – 71
Wolf, Kate. “Art Los Angeles Contemporary: The Fair In Three Parts” artnet Magazine
Allen, Stacey. “Ode to an Ambitious Weekend.” East of Borneo, January 27
Ireland, Corydon. “The Master’s Chair.” Harvard Gazette, February 2
Mizota, Sharon. “ ‘Big Four’ with a singular purpose” Los Angeles Times, December 3
Rutzmoser, Jon. “Basement Wagner: A Brief History of the Bayreuther Festspiele” X-tra Magazine, Winter 2010/Volume 13 Number 2
Mayer, Anna. “Letter from Los Angeles.” Proximity Magazine, Winter 2009
Faires, Robert. “Arthouse: It Takes a Village to Raise a City.” The Austin Chronicle, October 2
Faires, Robert. “The 24 Hour Roman Reconstruction Project was too built in a Day.” The Austin Chronicle, September 25
Berardini, Andrew. “The Rise and Fall of Liz Glynn” Anthony Greaney Gallery
Wehr, Anne. “The Generational: Younger than Jesus.” Frieze, June / August 2009
Cotter, Holland. “Young Artists, Caught in the Act.” The New York Times, April 9 (link)
Saltz, Jerry. “’Jesus’ Saves: God Bless the New Museum’s New Triennial” New York Magazine, April 9
Higgins, Chester. “Building Rome in (Just Over) a Day” New York Times ArtsBeat Blog
Hung, Jochen, Junger Als Jesus, Die Zeit, April 29
Vogel, Carol. “Inside Art – A Plan to Reconstruct Rome.” New York Times, March 27
The Younger than Jesus Artist Directory, The New Museum, NYC
Mann, Elana, “Exchange Rate 2008”, in Day to Day by Carolina Caycedo “Container of Experiences.” Domus, March 2009
A Machine Project Field Guide to LACMA, LACMA, Los Angeles
Finkel, Jori. “Arty Subversives Storm the Museum.” The New York Times, November 28
Hill, Jason. “The Image of the City: Notes on Mark Bradford's Help Us and Liz Glynn's 24 Hour Roman Reconstruction Project.” Art Lies, Summer 2008, pages 28-31.
Ting Lipton, Shana. “Student Art Show Takes a Field Trip to Chinatown.” Los Angeles Times, May 29
Friedrich, Kristin. “The Don't Miss List.” Los Angeles Downtown News, May 26
Weissman, Benjamin, editor, ULTRA, CalArts MFA Catalog Project
Farnbee, Mindy. “The 24 Hour Roman Reconstruction Project: You, the Empire Builder,” Los Angeles Times, January 17


Sandro Droschl, "The only performances that make it all the way ... Yes, but is it performable?" Sternberg Press, Berlin 2018 (link)

Public Collections

Hammer Museum, Los Angeles, CA
Foundation Sandretto Re Rebaudengo, Turin, Italy
Getty Research Institute, Los Angeles, CA
Los Angeles County Museum of Art, Los Angeles, CA