Arlene Shechet

 
M.F.A. Rhode Island School of Design, Providence, RI
 
B.A. New York University, New York NY

Solo Exhibitions

2019
Susanne Vielmetter Los Angeles Projects, Los Angeles, CA (forthcoming)
2018-2019
“Full Steam Ahead,” Madison Square Park Conservancy, New York, NY (link)
2018
“More Than I Know,” curated by Karin Campbell, Joslyn Art Museum, Omaha, NE (link)
2017
“Mutual Admiration Society,” Susanne Vielmetter Los Angeles Projects, Culver City, CA
 
”In the Meantime,” Corbett vs. Dempsey, Chicago, IL
2016
"From Here on Now," Phillips Collection, Washington DC.
 
"Turn Up the Bass," Sikkema Jenkins & Co, New York, NY
 
"Still Standing," Pippy Houldsworth Gallery, London, UK
 
"Porcelain, No Simple Matter: Arlene Shechet and the Arnhold Collection," The Frick Collection, New York, NY
 
"Urgent Matter," Contemporary Art Museum St. Louis, St. Louis, MO
2015
"All At Once," ICA Boston, Bonston, MA
 
"Blockbuster," Lora Reynolds Gallery, Austin, TX
 
"Meissen Recast," RISD Museum, Providence, RI
 
"Slip," Sikkema Jenkins & Co., New York, NY
 
"Breaking the Mold," Nature Morte Berlin, Germany
 
"That Time," Anderson Gallery, VCUarts, Richmond, VA; travelled to Weathersppon Art Museum, Greensboro, NC
 
"SUM," Nerman Museum of Contemporary Art, Overland Park, KS
 
"Parallel Play," Dieu Donne, New York, NY
2011
"The Thick of It," James Kelly Gallery, Santa Fe, NM
2010
"The Sound of It," Jack Shainman Gallery, New York, NY
2009
"Here and There," Museum of Contemporary Art Denver, CO
 
"Blow by Blow," curated by Ian Berry, F. Y. Tang Museum at Skidmore College, Saratoga Springs, NY
2008
"Now & Away," Shoshana Wayne Gallery, Santa Monica, CA
2007
"New Work," Elizabeth Harris Gallery, New York, NY
2006
"Thin Air," Sun Valley Center for the Arts, Sun Valley, ID
 
"Round and Round," Hemphill, Washington, D.C. 2004
 
"Deep Blooze Series," Hemphill, Washington, D.C.
 
"Out of the Blue," Shoshana Wayne Gallery, Santa Monica, CA
2003
"Turning the Wheel," commissioned installation, "The Invisible Thread: Buddhist Spirit in Contemporary Art," Newhouse Center for Contemporary Art, Snug Harbor Cultural Center, Staten Island, NY
 
"Arlene Shechet and Stephen Mueller," Van Brunt Gallery, New York, NY
 
"Building," curated by Elizabeth Brown, Henry Art Gallery, University of Washington, Seattle, WA
2002
"Flowers Found," Elizabeth Harris Gallery, New York, NY
2001
"Puja," A/D Gallery, New York, NY
2000
Galerie Rene Blouin, Montreal, Canada
1999
"Mirror Mirror," Elizabeth Harris Gallery, New York, NY
1998
"Once Removed," Shoshana Wayne Gallery, Santa Monica, CA
1997
"Sculpture and Drawing," Bernard Toale Gallery, Boston, MA
 
"Sculpture and Works of Paper," John Berggruen Gallery, San Francisco, CA
1996
Shoshana Wayne Gallery, Santa Monica, CA
1995
Boulder Museum of Fine Arts, Boulder, CO

Group Exhibitions

2018
“Out of Control,” curated by Peter & Sally Saul, Venus Over Manhattan, New York, NY (link)
 
"On Edge," The Aldrich Contemporary Art Museum, Ridgefield, CT (link)
 
"Taurus and the Awakener," David Kordansky, Los Angeles, CA (link)
 
“Travel Light,” The Jewish Museum, New York, NY (link)
 
“Molding/Mark-Making: Ceramic Artists and Their Drawings,” curated by Margaret Matthews-Berenson and Allison Peller, Dorsky Gallery Curatorial Programs, Long Island City, NY (link)
2017
Sculpture Park, Madhavendra Palace, Nahargarh Fort, Jaipur, India (link)
 
“Regarding George Ohr: Contemporary Ceramics in the Spirit of the Mad Potter,” curated by Garth Clark, Boca Raton Museum of Art, Boca Raton, FL (link)
 
“Molding/Mark-Making: Ceramic Artists and Their Drawings,” curated by Margaret Matthews-Berenson and Allison Peller, Dorsky Gallery Curatorial Programs, Long Island City, NY (link)
 
“Gray Matters,” Wexner Center for the Arts, Columbus, OH
 
”Bodies of work,” curated by Molly Donovan, National Gallery of Art, Washington, DC
 
”Would you Rather…,” curated by Michael Smoler, BBQ LA, Los Angeles, CA
 
”99 cents or Less,” curated by Jens Hoffmann, Museum of Contemporary Art, Detroit, MI
 
“Grisaille,” curated by Michael Goodson, Wexner Center for the Arts, Columbus, OH
 
“Vitreous Bodies: Assembed Visions in Glass,” curated by Lisa Tung, Bakalar & Paine Galleries, MA
 
“The State of New York Painting,” curated by Michael Walls, CUNY Kingsborough Art Gallery, Brooklyn, NY
2016
"No Rules, No Rules," Franklin Parrasch Gallery, New York, NY
 
"As if in a foreign country," Rosemarie Schwarzwälder Gallery, Vienna, Austria
 
"Pioneer Lust," Lora Reynolds Gallery, Austin, TX
 
"A Whisper of Where it Came From," Kemper Museum of Contemporary Art, Kansas City, MO
 
"Pure Pulp: Contemporary Artists Working in Paper at Dieu Donne 2000-Present," Wellin Museum of Art, Hamilton College, Clinton, NY; travelled to Robert C. Williams Museum of Papermaking, Georgia Tech, Atlanta, GA; Dedalus Foundation, Brooklyn, NY
 
"Strange Abstraction," Fredericks & Freiser, NYC
2015
"Marks Made: Prints by American Women Artists from the Early 1960s-Present," Museum of Fine Arts, St. Petersburg, FL
 
"CERAMIX: Art and Ceramics from Rodin to Schutte," Bonnefantenmuseum, Maastricht; travelled to La Maison Rouge, Paris, and Cite de la Ceramique, Sevres, France (2016)
 
"Bottoms Up: A sculpture Survey," University of Kentucky Art Museum, Lexington, KY
 
"Other Planes of There," Corbett vs Dempsey, Chicago, IL
 
"rock hound swap meet," organized by Randy Wray, Junior Projects, New York, NY
 
"Tender Buttons: Objects, Food, Rooms," curated by Andria Hickey, Tanya Bonakdar, New York, NY
 
"Le Musee Imaginaire," curated by Patrick Letovsky, Galerie Lefebvre & Fils, Paris, France
 
"Le Souffler: Schürmann meets Ludwig," Ludwig Forum Aachen, Germany
 
"Taking Form: Quality in Clay," James Harris Gallery, Seattle, WA
 
"Hard and Soft," ACME., Los Angeles, CA
2014
"Kiln," curated by Tiffany Zabludowicz, Leila Heller Gallery, New York, NY
 
"The Botanica," presented by AA Bronson & Michael Bühler-Rose, Invisible-Exports, New York, NY
 
"Now-ism: Abstraction Today," Pizzuti Collection, Columbus, OH
 
"Speaking through Paint: Hans Hofmann’s Legacy Today," curated by Stacey Gershon and Deborah Goodman Davis, Lori Bookstein Fine Art, New York, NY
 
"Drifter," curated by David Rhodes, Hionas gallery, New York, NY
 
"Jew York," Zach Feuer Gallery, New York, NY
 
"Room for Myth," Dodge Gallery, New York, NY
 
"Ceramics," Rhona Hoffman, Chicago, IL
 
"Tony Feher, Arturo Herrera, Arlene Shechet, and Kay Rosen," Sikkema Jenkins, New York, NY
 
"East," Kunstsaele Berlin, Germany
 
"Modern Times," Lesley Heller, New York, NY
 
"Le Beau Danger," Sassa Truelzsch Galerie, Berlin, Germany
 
"Fictitious Truths," curated by Kara Rooney, Rooster Gallery, New York, NY
 
"Peekskill Project V: The New Hudson River School," HVCCA, Peekskill, NY
 
"Walled Gardens," Klaus von Nichtssagend Gallery, New York, NY
 
"Makeup on Empty Space," Larissa Goldston Gallery, New York, NY
 
"Economy of Means: Towards Humility in Contemporary Sculpture," Scottsdale Museum of Contemporary Art, Scottsdale, AZ
 
"The Annual," National Academy Museum, New York, NY
 
"Textility," curated by Mary Birmingham, Visual Arts Center of New Jersey, Summit, NJ
 
"Free From Order: A Delight of Inconsistencies, Amy Gatrell, Cordy Ryman, and Arlene Shechet," curated by Barry Rosenberg, UCONN Contemporary Art Galleries, CT
 
"Contemporary Clay," RH Gallery
 
"Paul Clay," Salon 94, Nwe York, NY
 
"Exhibition of Work by Newly Elected Members and Recipients of Honors and Awards," Academy of Arts and Letters, New York, NY
 
"Invitational Exhibition of Visual Artists," American Academy of Arts and Letters, New York, NY
 
"January White Sale," curated by Beth Rudin de Woody, Loretta Howard Gallery, New York, NY
 
"12 Material/Immaterial," Shoshana Wayne Gallery, Santa Monica, CA
 
"XXIst International Ceramic Biennial (BICC)," Vallauris, France
 
"Dirt On Delight," ICA, curated by Ingrid Schaffner and Jenelle Porter, Philadelphia, PA; travelled to the Walker Art Center, Minneapolis, MN
 
"Feelers," three-person exhibition with Sarah Massecar, Sandra Meigs, Susan Hobbs Gallery, Toronto, Canada
 
"The Dark Fair—Aquarium Project," curated by Scott Reeder, Cologne Art Fair, Germany
 
"New Works/Old Story," Contemporary Jewish Museum, San Francisco, CA
 
"Seriously Funny," curated by Cassandra Coblentz and Claire Carter, Scottsdale Museum, AZ
 
"New Now," Nerman Museum of Contemporary Art, Overland Park, KS
 
"True Grit, Frames, Fixations, Flirtations," curated by M. Leach, McColl Center for Visual Art, Charlotte, NC "Building/Beijing," US Embassy, Beijing
 
"Neti Neti (not this not this)," curated by Peter Nagy, Bose Pacia Gallery, New York, NY
 
"Grey," Dinter Fine Art, New York, N
 
"Present Tense," Spanierman Modern Gallery, New York, NY
2007
"Shattering Glass," curated Neil Watson and Ellen Keiter, Katonah Museum, NY
 
"Written on the Wind: The Flag Project," Rubin Museum of Art, New York, NY
 
"In the Way Outdoor Installation," Byrdcliffe, Woodstock, NY
2006
"The Bong Show or This Is Not a Pipe," Leslie Tonkonow, New York, NY
 
"The Missing Peace: Artists Consider the Dalai Lama," Fowler Museum, UCLA, CA
2005
"Faith," curated by James Hyde, Real Art Ways, Hartford, CT
 
"Glass, Seriously," curated by Lilly Wei, Dorsky Curatorial Program, Long Island City, NY
 
"Seven Artists," American Embassy, Hanoi, Vietnam, curated by Virginia Shore, State Department, Wash. D.C.
 
"Somewhere Outside It," curated by Janet Phelps, Schroeder Romero Gallery, Brooklyn, NY
 
"Monochrome Image," Elizabeth Harris Gallery, New York, NY
 
"Riverhouse Editions: Master Prints by 44 Artists," University of Denver, Denver, CO
2004
"Sidewalk Installation," Rubin Museum of Art, New York, NY
 
"Bottle: Contemporary Art and Vernacular Tradition," curated by Richard Klein, The Aldrich Contemporary Art Museum, Ridgefield, CT
 
"The Buddha Project," Cleveland State University, Cleveland, OH
 
"The Big Nothing," curated by Ingrid Schaffner and Bennett Simpson, Institute of Contemporary Art, Philadelphia, PA
2003
"Some Sculptures," Texas Gallery, Houston, TX
 
"According with Nadelman: Contemporary Affinities," curated by Cynthia Nadelman, June Kelly Gallery, New York, NY
 
"Mystic," curated by Jeffrey Keough, Mass. College of Art, Boston, MA
 
"Water Mark / Inside," curated by Patricia Phillips, E.H. Blum Gallery, College of the Atlantic, Bar Harbor, ME
 
"Water, Water," curated by Lilly Wei, Rotunda Gallery, Brooklyn, NY
 
"Vessels," curated by Joe Fyfe, Greenwich House Pottery, New York, NY
2002
"Line and Landscape," Ethan Cohen Gallery, New York, NY
 
"Paper Remix: Dieu Donné Work Space Program, 1995-2000," curated by Edwin Ramoran, Dieu Donne Papermill, NY
 
"Curious Terrain," Elizabeth Harris Gallery, New York, NY
2001
"Ganesh," Rene Blouin Gallery, Montreal, Canada
 
"Rags to Riches: 25 Years of Paper Art from Dieu Donné Papermill," curated by Donna Stein Kresge, Art Museum, Mich. State University
 
"Digital Printmaking Now," Brooklyn Museum of Art, Brooklyn, NY
 
"A Threshold of Spirit," curated by Peter Nagy, Crossing Paths: an Installation in the Baptistry, Cathedral of St. John the Divine, NY
2000
"Mysticism and Desire," curated by Pat Hamilton, Los Angeles, CA
 
"The Living End," curated by Ingrid Schaffner, Boulder Museum of Contemporary Art, Boulder, CO
 
"Religion: Contemporary Interpretations by Women," The Art Gallery, U. of New Hampshire, Durham, NH
 
"Rapture," Bakalar and Huntington Galleries, Mass Art, Boston, MA
1999
"Crafted Shows," Franklin Parrasch Gallery, New York, NY
 
"Om," curated by Joe Fyfe, Dorsky Gallery, New York, NY
 
"Loaf," curated by Steve Dibenedetto, Baumgartner Galleries Inc., New York, NY
 
"Women in Print," Jim Kempner Fine Art, New York, NY
1998
"In the Details," curated by Kiki Smith, Barbara Gross Galerie, Munich, Germany
 
"Recent Aquisitions," John Berggruen Gallery, San Francisco, CA

Publications

2018
Shechet, Arlene and Alexandra Schwartz. "Vivian Springford," Alime Rech Gallery Editions: Paris (link)

Selected Press

2018
Small, Zachary. "Arlene Shechet Smuggles Politics into Madison Square Park," Hyperallergic, November 20 (link)
 
"NYC restaurant serves guests wooden boxes for stowing away their phonesNYC restaurant serves guests wooden boxes for stowing away their phones," CTV News, October 30 (link)
 
Carlson, Jen. "Video: Dianne Wiest Is Buried In Scorched Earth & Performing Samuel Beckett In This NYC Park," Gothamist, October 24 (link)
 
"VIDEO: Dianne Wiest Totally Rocks Beckett in Madison Square Park!" Broadway World, October 24 (link)
 
Feldman, Adam. "Dianne Wiest is doing Beckett in a park this week, for free, dressed as a rock, Time Out, October 24 (link)
 
Libbey, Peter. "Dianne Wiest Is a Boulder, but Not for Halloween," New York Times, October 24 (link)
 
"Dianne Wiest To Perform Beckett Next Week At Madison Square Park," Broadway World, October 17 (link)
 
"‘Every Single Second it Changes’: Watch Sculptor Arlene Shechet Harness the Protean Power of Plaster," Artnet News, October 5 (link)
 
Cascone, Sarah, "Editors’ Picks: 12 Things Not to Miss in New York’s Art World This Week," Artnet News (web), September 25 (link)
 
Loos, Ted, "Porcelain Finds Its Outside Voice," New York Times (web), September 23 (link)
 
"Morning Links: Sword Wound Edition," Art News, September 24 (link)
 
"Photographer outs herself as anonymous donor of millions to female artists," CBS This Morning (web), August 23 (link)
 
“Pageant of Inconceivables,” Kleinert/James Center for the Arts, Woodstock, NY
 
Wong, Alex, "Reflecting pond in Madison Square Park will be transformed by public installation," The Architect's Newspaper (web), June 1 (link)
 
Farber, Janet L., "'More Than I Know' Shechet’s abstract sculpture at Joslyn eludes easy classification for all," The Omaha Reader (web), May 27 (link)
 
Bui, Phong, "Arlene Shechet: Some Truths," The Brooklyn Rail (web), May 1 (link)
 
Brawarsky, Sandee, “Claudia Gould’s Aesthetic High-Wire Act,” The Jewish Week Media Group,” March 7 (link)
 
Greenberger, Alex, "Arlene Shechet Joins Pace Gallery," ArtNews, March 6 (link)
2017
“The Artist Project: What Artists See When They Look at Art,” Metropolitan Museum of Art, Phaidon
 
Lilley, Clare, “Vitamin C: Clay and Ceramic in Contemporary Art,” Phaiden
 
Zappas, Lindsay Preston, ”Mutual Admiration Society at Susanne Vielmetter,” Contemporary Art Review LA (web), August 11
 
Sharp, Sarah Rose, “Artists Embrace the Grayscale,” Hyperallergic (web), July 20
 
Gilson, Nancy, “‘Gray Matters’ exhibit features female works of grisaille,” The Columbus Dispatch (web), June 26
 
Jenkins, Mark, “For artist Arlene Shechet, the Phillips is full of inspiration,” The Washington Post (web), January 18
2016
Scherer, Barrymore Laurence, “Of Meissen men...and women at the Frick,” Antiques, July/August
 
Scott, Andrea K, “Earth Angel,” New Yorker (web), June 27
 
Vereshaka, Kati. “A Passion for Porcelain,” Epoch Times (web), June 24
 
Camhi, Leslie. “Porcelain Comes to Life at Sculptor Arlene Shechet’s New Exhibition at The Frick Collection,” Vogue May 26
 
Dailey, Meghan. “Contemporary Ceramics, Up Against 18th Century Pieces – Literally,” New York Times, May 24
 
Rapaport, Brooke Kamin, “Body-To-Body Experience,” Sculpture Magazine, June, pg. 30-35.
 
McTwigan, Michael. “Curiouser and curiouser,” Ceramic Review, May/June
 
Greenberger, Alex, “Carmen Herrera, Rosalind Krauss, Arlene Shechet Among Winners of 2016 CAA Awards,” Artnews, January 4
2015
“Arlene Shechet on a bronze statuette of a veiled and masked dancer,” Metropolitan Museum of Art, The Artist Project Season 4, Dec. 7.
 
Behrendt, Sascha. “Unruly Grace: Arlene Shechet in Boston,” ArtCritical.com, Sept. 8.
 
Bui, Phong. “Arlene Shechet with Phong Bui,” BrooklynRail.org, Sept. 8.
 
Kapplow, Heather. “Arlene Shechet’s Unified Theory of Ceramics,” Hyperallergic.com, Sept. 2.
 
Walsh, Peter. “Arlene Shechet – Restoring the Wonder of Fine Ceramics,” ArtFuse.com, Aug. 4. Saccoccia, Susan. “ICA exhibit piques viewers’ imaginations,” BayStateBanner.com, July 24.
 
Green, Tyler. Interview with Arlene Shechet on the Modern Art Notes Podcast, MANPodcast.com, July 22.
 
Carlson, Eryn. “’Arlene Shechet: All at Once,’ by Jenelle Porter,” BostonGlobe.com, July 21.
 
Cotter, Holland. “Arlene Shechet Has a First Museum Retrospective in Boston,” NYTimes.com, July 17.
 
Greenberger, Alex. “’To Know More Strangely, Adds Mystery’: Arlene Shechet on her elusive ceramics and her ICA Boston
 
show,” ArtNews.com, July 14.
 
Belcove, Julie L. “Material Matters,” 1stDibs.com, July 6.
 
Bergeron, Chris. “At Boston’s ICA, sculptor Arlene Shechet challenges convention,” ProvidenceJournal.com, June 25.
 
Smee, Sebastian. “Sculptor Arlene Shechet evokes inner life in new ICA exhibition,” BostonGlobe.com, June 18.
 
Sheets, Hilarie M. “As the Art World Swoon over Playful Ceramics, Arlene Shechet Hits Her Stride,” Artsy.net, June 9.
 
“Arlene Shechet, The story behind an artwork, in the artist’s own words,” Blouinartinfo.com/Modern Painters, June.
 
Grabner, Michelle. “Previews: Arlene Shechet; All at Once,” Artforum, May, Pg. 186.
 
“Spotlight: Arlene Shechet; All at Once,” Harvard Magazine, May - June, Pg. 16F
 
Porter, Jenelle. Arlene Shechet: All at Once. London: Prestel, 2015.
 
Tuttle, Kate. “35 must-see spring and summer arts events in New England,” Bostonglobe.com, Mar. 27.
 
Dobrzynski, Judith H. “Spring Museum Exhibitions, From Masks to Renoirs,” New York Times, Mar. 19, F18.
 
Ollman, Leah. “In ‘Hard and Soft,’ four sculptors explore contradictions in clay,” LATimes.com, Mar. 12.
 
“New Acquisitions,” American Ceramic Circle Spring 2015 Newsletter
2014
“Art in the Twenty First Century: Secrets,” featuring Arlene Shechet, Elliot Huntley and Trevor Paglen. ART21 Season 7, PBS, Oct. 31.
 
Woodward, Daisy. “Arlene Shechet: Ceramic meets paper,” AnOthermag.com, May 13.
 
Apperley, Bree. “Eye Candy: Arlene Shechet,” siteunseen.com, Apr. 29.
 
Ventura, Anya. “Review: Arlene Shechet: Meissen Recast,” BigRedandShiny.com, Apr. 2.
 
Cassidy-Geiger, Maureen. “A Bull in a China Shop: Reimagined Porcelain at the RISD Museum,” Departures.com, Mar. 20.
 
Hamer, Katy Diamond. “Arlene Shechet: Meissen Recast, RISD Museum,” FlashArtOnline.com, Mar. 4.
 
d’Annunzio, Grazia. “Gioco di Specchia,” Architectural Digest Online/ADtoday.it, Feb. 18.
 
Walsh, Brienne, “The Alchemist: Arlene Shechet Converts ‘White Gold’ into Artworks,” ArtinAmerica.com, Jan. 27.
 
Gissler, Glenn. “‘Arlene Shechet: Meissen Recast’ at the RISD Museum,” glenngissler.com, Jan. 22
 
Solondz, Simone. “Shechet’s Shenanigans at the RISD Museum,” RISDxyz, Jan. 21.
 
van Siclen, Bill. “Warhol exhibit at RISD Museum highlights the icon’s photographs,” Providence Journal, Jan. 26.
 
“Breaking the Mold,” Elle Decor, Jan/Feb.
 
Shechet, Arlene. “500 Words,” Artforum.com, Jan. 15.
 
Wei, Lilly. “Claytime! Ceramics Finds Its Place in the Art-World Mainstream,” ARTnews, Jan
2013
Micchelli, Thomas. “The Pursuit of Art, 2013,” Hyperallergic, Dec. 28
 
Smith, Roberta. “Arlene Shechet: Slip,” New York Times, Nov. 7
 
“Goings On About Town: Art,” New Yorker, Nov. 4, 2013.
 
Micchelli, Thomas. “Parallel Strains: Arlene Shechet’s Ceramic Abstractions,” Hyperallergic, Oct. 19
 
Abel, Ruthie. “Crafting Slip: In the Studio With Arlene Shechet,” Huffington Post, Oct. 15.
 
Saltz, Jerry. “Jerry Saltz’s Five Most Anticipated,” New York Magazine, Sept. 2-9.
 
Gopnik, Blake. “Precious Porcelain Turned Inside Out,” The Daily Beast, Jun 18.
 
Ryan, Paul. “Reviews: Arlene Shechet, Anderson Gallery” Sculpture Magazine, June, pg. 73-4. Castro, Jan. “Living in the Present, Arlene Shechet,” Ceramics: Art & Perception, June-Aug. Benschop, Jurriaan, “Berlin: Arlene Shechet, Nature Morte,” Artforum, Feb., Pg. 259
2012
Kley, Elisabeth. “Arlene Shechet: Dieu Donne,” ARTnews, June.
 
Thorson, Alice. “Nerman exhibits the power of ceramics,” Kansas City Star, June 15.
 
McLister, Iris. “Critical Reflections: Arlene Shechet The Thick of It,” The: Santa Fe Monthly Magazine, Mar.
 
“Töpfern ist sexy” art das kunst magazin, Mar., pg. 60.
 
Ollman, Leah. “Clay keeps breaking the mold,” LA Times, Jan. 29.
 
Hirsh, Faye. “Buckle and Flow,” Art in America, Jan.: 58-64. (Cover Story)
2011
“The Pin-up Menagerie: A collection of 69 Beautiful Things,” PIN-UP, Fall/Winter 2011/12: 158-165.
 
Hughes, Hannah. “The Thick of It at James Kelly Contemporary,” Adobe Airstream, Dec. 9.
 
Wilson-Powell, Malin. “Wonderfully Weird,” The Albuquerque Journal, Dec. 2.
 
Gopnik, Blake. “A Teapot from Mars?,” thedailybeast.com, July 22.
 
Smith, Roberta. “Paul Clay, Salon 94 Bowery,” New York Times, June 30.
 
Yablonsky, Linda. “Artifacts: Feats of Clay,” T Magazine, July 7.
 
Mueller, Stephen. “Arlene Shechet at Jack Shainman,” Art in America Magazine, Jan.
2010
Saltz, Jerry. “Top Ten of 2010,” New York Magazine, Dec. 13.
 
Howe, Liz. “Arlene Shechet: Working on the Edge,” Ceramics Monthly, Dec.
 
artcritical.com. Audio from the Sept. Review Panel: Lance Esplund, Faye Hirsch, Andrea Scott, and David Cohen.
 
Rooney, Kara. “Arlene Shechet: The Sound of It,” The Brooklyn Rail, November
 
Saltz, Jerry. “ART: Dishy Ceramics,” New York Magazine, Oct. 3.
 
Schjeldahl, Peter. “Goings on About Town: Art: Arlene Shechet,” New Yorker, Sept. 28.
 
“Art: Listings”, Time Out
 
Dickson, Jane. “Arlene Shechet,” bombsite.com. Sept.
 
Berry, Ian. Arlene Shechet: Blow by Blow. Exhibition catalogue Tang Teaching Museum at Skidmore College
2009
Schaffner, Ingrid, and Jenelle Porter, "Dirt On Delight: Impulses That Form Clay. Exhibition catalogue. Phila. Institute of Contemporary Art, University of Pennsylvania.
 
Ruth, Tara. “Double or Nothing: Mimicry in Contemporary Art using Handmade Paper.” Hand Papermaking 24
 
MacMillan, Kyle, “MCA exhibits showcase big names, big ambitions from Big Apple,” Denver Post, Nov. 22.
 
Regan, Kate, “‘Feelers’ at Susan Hobbs, Toronto,” ARTnews, Nov.: 125.
 
“feelers: Touching a Nerve, or Three,” Canadian Art, Fall.
 
Moser, Gabrielle, “Sarah Massecar, Sandra Meigs, Arlene Shechet, feelers,” Esse, Fall, No. 67.
 
Smith, Roberta, “Why Craft Never Was a Four-Letter Word,” The New York Times, Apr. 18: C5.
 
Greenbaum, Joanne. “Decorating the Void: On Clay and Dirt on Delight,” The Highlights, June.
 
Smith, Roberta, “Crucible of Creativity, Stoking Earth Into Art,” The New York Times, Mar. 20: C25, C28.
 
Gopnik, Blake, “Clay’s Big Day,” The Washington Post, Mar. 1: M6-7.
2008
Pollack, Barbara, “Neti-Neti,” Time Out New York, July 31-Aug. 6: 53.
 
Saltz, Jerry, “Gray,” Critics’ Pick, NYMag.com, July 23.
 
De Vegh, Suzanne, “Arlene Shechet, New York,” Art Papers, July/Aug.: 66
 
Goodman, Jonathan, “New York Reviews,” Sculpture Magazine, July/Aug.:. 77-8.
 
Hirsch, Faye, “Arlene Shechet at Elizabeth Harris,” Art in America, Feb.
 
Keiter, Ellen. Shattering Glass: New Perspectives. Exhibition catalogue. Katonah, NY: Katonah Museum
2007
Genocchio, Benjamin. “Really? It’s All Made of Glass?” New York Times, Dec. 30
 
Smith, Roberta, “Art in Review,” The New York Times, Sept. 14: E41.
 
Nagy, Peter, “Perfumed Manifestation, the work of Arlene Shechet,” catalogue essay.
 
Robinson, Walter, “Reviews: Weekend Update” Artnet.com, Sept. 19
 
Strouse, Allen. “Arlene Shechet’s Military Base.” Artinfo.com, Dec. 11
2006
Mahoney, J. W., “Arlene Shechet at Hemphill,” Art in America, Oct.: 201-2.
 
Hyde, James, “Faith”, exhibition catalogue, Real Art Ways, Hartford, CT
 
Ash, Elizabeth, “ART in Embassies in Hanoi,” State MAGAZINE, March
 
Dung, Dinh, “An American artist talks about her work and Buddhism,” The Saigon Times Daily, Mar. 29: 7.
 
“US artist Arlene Shechet to exhibit works in Ha Noi,” Vietnam News, Mar. 17: 20
 
Larson, Kay, “Keeping the Faith,” ARTnews, February
 
Dawson, Jessica, “Shechet, Sherwood and Bocchino at Hemphill,” The Washington Post, Jan. 7: C5
2005
Morgan, Robert C., “Who takes Glass Seriously,” The Urban Glass Art Quarterly, Fall: 27-33
 
Phillips, Autumn, "A Buddhist Concept on Paper," The Steamboat Pilot, Aug. 12: Arts FP
 
Cover Photograph, Tricycle Magazine, Summer: 39.
 
Mueller, Stephen, "Personal Statements in Just One Color," Gay City, June 23-29, p. 45
 
Glueck, Grace, "An Object of Practicality, from the Inside and Out,” New York Times, Apr. 1: E34
 
Klein, Richard, “Bottle: Contemporary Art and Vernacular Tradition,” New York Times, Apr. 1: E34 Wei, Lilly, exhibition essay for “Glass, Seriously,” Dorsky Gallery, Long Island City, NY
2004
Morgan, Anne Barclay, “The Manifestation of Awareness," Sculpture Magazine, September, pp. 47-51
 
McElroy, Joseph, “A Poetry of Transience,” Shambala Sun, March, pp. 58-62
 
Schaffner, Ingrid, catalogue “The Big Nothing,” Institute of Contemporary Art, Univ.of Penn., Philadelphia, PA
 
Lipsey, Wei, catalogue essay for “The Invisible Thread: Buddhist Spirit in Contemporary Art.”
 
Brentano, Robyn, Olivia Georgia, Roger Lipsey, and Lilly Wei. The Invisible Thread: Buddhist Spirit in Contemporary Art.
 
Exhibition catalogue. Staten Island, New York: Snug Harbor Cultural Center
2003
Smith, Kiki, “Artists Choice - Arlene Shechet,” Art on Paper, cover story, Nov/Dec, Vol. 8, No. 2, p. 42-45
 
Pierpont, Margaret, “Natural Mastery,” Natural Health, Oct, p. 160
 
Harrison, Helen. “Recycling Paper: Not Just Good for the Environment.” New York Times Jan. 5: 9.
 
Cover photograph, Buddhadharma Magazine, Summer
 
Keough, Jeffrey. Mystic. Exhibition catalogue. Mass. College of Art, Boston. Essay by David D. Nolta.
 
Brown, Elizabeth A. Arlene Shechet: Building. Exhibition brochure. Seattle: Henry Art Gallery, U. of Wash.
2002
Cover Photograph, Hand Papermaking, Vol 17, no. 1, Summer
 
Johnson, Ken, "Arlene Shechet," New York Times, Art Guide. May 3
 
Elliot, David, “Ganesh. Galerie René Blouin. Montreal,” Canadian Art 19, no. 1, March
 
Koplos, Janet, "Arlene Shechet at A/D," Art in America, January
2001
Stein, Donna, catalogue essay for “Rags to Riches, 25 Years of Paper Art from Dieu Donne Papermill,” 57-8
 
“The Artist's Way,” O Magazine, November
 
“Cathedral Removes an Artwork,” The New York Times, June 26
 
“Minister Wants Artwork Revised or Removed,” The New York Times, June 23
 
Douglas, Sarah, “'Unsuitable' art removed from cathedral in New York,” The Art Newspaper
2000
Schaffner, Ingrid, catalogue essay for “The Living End,” Boulder Museum of Contemporary Art, CO
 
Glackstern, J., “Many mysteries suggested at BMOCA's 'Living End'”, The Daily Camera, Boulder, CO, Oct. 15
 
Betts, Kristie, “Artflash, the end is here,” Boulder Weekly, Boulder, CO, September 28
 
Temin, Christine, “Perspectives: Assorted Artists Capture ‘Rapture’,” Boston Globe February 2
 
Alvis, Robert E. Rapture, Exhibition catalogue, Massachusetts College of Art, Boston, MA
1999
Cotter, Holland, “Arlene Shechet,” The New York Times, Art Guide, May 21
 
Levin, Kim, "Voice Choices," The Village Voice, May 18
 
Nagy, Peter, catalogue essay for "Mirror Mirror," exhibition at Elizabeth Harris Gallery, NYC
 
Tagore, Sundaram, "Facing East: American Artists' Encounters with India," Art India Magazine of India, April
 
Fyfe, Joe, catalogue essay for "Om" exhibition at David Dorsky Gallery
 
Nadelman, Elie, "Elie Nadelman: The Late Work," New York: Salander-O’Reilly Galleries, essays by Brandt Junceau and Klaus Kertess. Conversation with Arlene Shechet and Kiki Smith
1998
Gockel, Cornelia, "Korper und Ofnungen," Suddeutche Zeitung, July 30
 
Goldman, Robert, "Artist Diary," Artnet, Jan. 24
 
Hirsch, Faye, "Working Proof," On Paper Magazine, Vol. 2, January/February

Grants and Awards

2016
CAA Artist Award for Distinguished Body of Work
2011
American Academy of Arts and Letters Award in Art
 
American Academy of Arts and Letters Purchase Prize
2010
Anonymous Was A Woman Individual Artist Award
 
Joan Mitchell Foundation Painters and Sculptors Grant
 
USA Artists: Special Projects
2006
US State Department American Artists Abroad, Vietnam
2004
John Simon Guggenheim Memorial Foundation, Visual Artist Fellowship
1999
New York Foundation for the Arts, Artist Fellowship Grant
1996
Dieu Donné Papermill, NYC, Artist Work Grant
1993
New York Foundation for the Arts, Artist Fellowship Grant
1986
N.E.A. Visual Artist, Artist Fellowship Grant
 
New York Foundation for the Arts, Artist Fellowship Grant

Public Collections

 
Allen Memorial Art Museum, Oberlin College, OH Edward Albee Foundation, New York, NY
 
Banff School of Fine Arts, Canada
 
Bard Hessel Museum of Art, Annandale-on-Hudson, NY
 
Blanton Museum of Art / UT Austin, Austin, TX
 
Brooklyn Museum, Brooklyn, NY
 
The Cleveland Clinic, Cleveland, OH
 
Deloitte & Touche, San Francisco, CA
 
Dieu Donné Papermill, NYC
 
Fidelity Investments, Boston, MA
 
Goldman Sachs (worldwide)
 
Institute of Contemporary Art, Boston, MA
 
Johnson and Johnson, New Brunswick, NJ
 
Los Angeles County Museum of Art, Los Angeles, CA
 
Martin Margulies Collection, Coconut Grove, FL
 
The Metropolitan Museum of Art, New York, NY
 
Mordes Collection, Palm Beach, FL
 
Museum of Fine Arts, St. Petersburg, FL
 
The National Gallery of Art, Washington, DC
 
Nerman Museum of Contemporary Art, Overland Park, KS
 
North Shore Hospital, Long Island, NY
 
New York City Public Library, Drawing & Prints, New York, NY
 
Pizzuti Collection, Columbus, OH
 
Progressive Insurance, Cleveland, OH
 
Princeton Museum, NJ
 
Rhode Island School of Design Museum, RI
 
Al Shands Collection, Louisville, KY
 
Smith College Museum of Art, MA
 
US Embassy, Beijing, China
 
US Embassy, Nepal
 
Walker Art Center, Minneapolis, MN
 
Candace K. Weir Foundation, New York, NY
 
Whitney Museum of American Art, New York, NY
 
Williams College Museum of Art, Williamstown, MA
 
The J.V. Zimmerli Art Museum, New Brunswick, NJ