Mickalene Thomas

1971 Born in New Jersey

Lives and works in Brooklyn, NY

2000-2002 MFA Painting, Yale University School of Art, New Haven, CT

1995-2000 BFA Painting, Pratt Institute, Brooklyn, NY

1998 Southern Cross University, Lismore, Australia

2012

Santa Monica Museum of Art, Santa Monica, CA(Solo Show)

2011

“Mickalene Thomas-Mama Bush: One of a Kind Two” Hara Museum of Contemporary Art, Tokyo, Japan

 

"More Than Everything",Lehmann Maupin Gallery, New York, NY

2010

“Put A Little Sugar In My Bowl”, Susanne Vielmetter Los Angeles Projects, Los Angeles, CA

2009

“Something you can feel”, La Conservera: Centro de arte Contemporaneo, Murcia, Spain

 

"She’s Come UnDone!”, Lehmann Maupin Gallery, New York, NY

2008

"Girlfriends, Lovers, Still Lifes and Landscape”, Rhona Hoffman Gallery, Chicago, IL

 

"What’s Love Got To Do With It?”, Bloom Projects, Santa Barbara Contemporary Arts Forum, CA

2007

"The Unseen”, Indianapolis Museum of Contemporary Art, Indianapolis, IN

 

"An Imitation of Love, Brawlin’ Spitfire Two”, Susanne Vielmetter Los Angeles Projects (Project Space)

2006

"Something About You...” Rhona Hoffman Gallery, Chicago, IL

 

"Brawlin’ Spitfire”, Special Project, Dust Gallery, Las Vegas, NV

2012

“Configured”, Benrimon Contemporary, New York, NY

2011

“American Dream”, DZ Bank Kunstsammlung, Frankfurt, Germany

 

“30 Americans”, The Corcoran Gallery of Art, Washington, D.C.

 

“Americans Now”, National Portrait Gallery, Washington, D.C.

 

“Converging Voices/Transforming Dialogue:Selections from the Elliot and Kimberly Perry Collection”, University Museum of Texas Southern University, Houston, TX

 

“A Room of Her Own”, Lu Magnus Gallery, New York, NY

 

“Contemporary Magic: A Tarot Deck Art Project”, Pittsburgh, PA

 

“Posing Beauty” Newark Museum, Newark, NJ, and University of Southern California’s Fisher Museum of Art, Los Angeles, CA

 

“Beyond Bling”, Ringling Museum, Sarasota, FL

 

“Building the Contemporary Collection:Five Years of Acquisitions”, Nasher Museum of at, Durham, NC

 

“Images from a Floating World: 18th Century Japanese Erotic Prints and the Echo in Modern Contemporary Art”, Friedricks Freiser Gallery, New York, NY

 

“The Truth is Not in the Mirror”, Haggerty Museum, Marquette University, Milwaukee, IL

 

“Surface Value”, Des Moines Art Center, Des Moines, IA

 

“The Way We Are Now: Selections from the 21c Collection” Cincinnati Museum of Art, Cincinnati, OH

 

“Stargazers: Elizabeth Catlett in Conversation with 21 Contemporary Artists” Bronx Museum, Bronx, NY

 

“Seeing Now: Photography Since 1960” Baltimore Museum of Art, Baltimore, MD

 

“Safety in Numbers? Images of African American Identity and Community” Portland Art Museum, Portland, OR

2010

"The Global Africa Project”, The Museum of Arts and Design, New York, NY

 

“4 Eccentrics”, The Proposition, New York, NY

 

“Sharon Stone in Abuja”, Location One, New York, NY

 

“Now What?”, Norton Museum of Art, Miami, FL

 

“XX-XY/Gender Representation in Art”, Orlando Museum of Art, Orlando, FL

 

“Americans Now”, National Portrait Gallery, Washington, D.C.

 

“Collected. Reflections on the Permanent Collection”, The Studio Museum in Harlem, New York, NY

 

“Shrew’d: The Smart & Sassy Survey of American Women Artists” Sheldon Museum of Art, Lincoln, NE

 

“Pattern ID”, Akron Art Museum, Akron, OH, curated by Ellen Rudolph

 

“Posing Beauty” Art Gallery of Hamilton, Ontario, Canada, Williams College Museum of Art, Williamstown, MA

 

“Searching for the Heart of Black Identity: Art and the Contemporary African American Experience” Kentucky

 

Museum of Art and Craft, Louisville, KY

 

“Versus” Hous Projects, New York, NY

2009

“Landscape Revisited” Park Avenue Armory, New York, NY

 

“Extended Family: Contemporary Connections” Brooklyn Museum, Brooklyn, NY

 

“Posing Beauty” New York University Tisch School of the Arts, New York, NY

 

“Dress Codes”, The Third ICP Triennial of Photography and Video, International Center of Photography, New York, NY

 

“Creating Identity: Portraits Today” 21C Museum, Louisville, KY

 

“Black Is, Black Ain’t” The Artspace at the Kansas City Art Institute, Kansas City, MO

 

“Undercover: Performing and Transforming Black Female Identities” The Spelman College Museum of Fine Art, Atlanta, GA

 

“First Look”, House of Campari, curated by Simon Watson, Los Angeles, CA

 

“Remix” Catharine Clark Gallery, San Francisco, CA

 

“The Female Gaze: Women Looking At Women” Cheim and Read, New York, NY

 

“Crash Proof” The Scholar and Feminist Online, Barnard Center for Research on Women, online exhibition

 

“Elsewhere” Saltworks, Atlanta, GA

 

“The Glamour Project” Lehmann Maupin Gallery, New York, NY

 

“CAN & DID - Graphics, Art, and Photography from the Obama Campaign” Danziger Projects, New York, NY

2008

“30 Americans”, Rubell Family Collection, Miami, FL

 

“Group Show”, Andréhn-Schiptjenko, Stockholm, Sweden

 

“Belle du Jour”, Collette Blanchard Gallery, New York, NY

 

“As Others See Us: The Contemporary Portrait”, Brattleboro Museum and Art Center, Brattleboro, VT

 

“The Other Mainstream II: Selections from the Collection of Mikki and Stanley Weithorn”, Arizona State

 

University Art Museum, Tempe, AZ

 

“Becoming: Photographs from the Wedge Collection”, Museum of Contemporary Art, Detroit, MI

 

“City Stage”, New Orleans Contemporary Art Center, New Orleans, LA

 

“Black Is, Black Ain’t”, The Renaissance Society, University of Chicago, Chicago, IL and traveling to:

 

Museum of Contemporary Art, Detroit, MI, (February 13 – May 3, 2009)

 

H&R Block Artspace ar the Kansas City Art Institute, Kansas City, MO

 

Temple Gallery At the Tyler School of Art, Philadelphia, PA

2007

“Sweet SweetBack’s Baadasssss Song”, Von Lintel Gallery, New York, NY

 

“Commemorating 30 Years 1976-2007, Rhona Hoffman Gallery, Chicago, IL

 

“Distinctive Messenger”, House of Campari, New York, NY

 

“Sex in the City”, Dumbo Arts Center, Brooklyn, NY

 

“Some Kind of Portrait”, Marc Selwyn Fine Art, Los Angeles, CA

 

“Taking Aim: Selections from the Elliot L. Perry Collection”, Rhodes College, Memphis, TN

 

“Flava”, Wedge Curatorial Projects, Toronto, Canada

 

“Prime Time”, Caren Golden Fine Art Gallery, New York

 

“My Love is a 187”, Luggage Store Gallery, San Francisco, CA

 

“Inspired in New York”, Echo Gallery, New York, NY

2006

“Not an Ocean Between Us: Voices of Women from Africa and the African Diaspora”, Winston Salem

 

State University, Winston Salem, NC

 

“Lag Time Line Up”, Mumbo Jumbo Gallery, New York, NY

 

“Materiality”, Kravets/Wehby Gallery, New York, NY

 

“Wild Girls”, Exit Art, New York

 

“The Pulse of New Brooklyn”, MoCADA Museum, Brooklyn, NY

 

“Armory Art Fair” with Rhona Hoffman Gallery, Pier 90, New York

 

“Do You Think I’m Disco”, Longwood Art Gallery, Bronx, NY

2005

“Tete-a-Tete”, Greenberg Van Doren Gallery, New York,NY

 

“NeoVernacular”, Steve Turner Gallery, Los Angeles

 

“Five Artists, Five Projects”, Greenberg Van Doren Gallery, New York

 

“Frequency”, Studio Museum in Harlem, New York, NY

 

“Maximum Flavor”, Atlanta College of Art Gallery, Atlanta, GA

 

“Greater New York 2005”, P.S.1/MoMA, Long Island City, NY

 

“African Queen”, Studio Museum in Harlem, NY

2004

“Me, Myself and I”, Florida Atlantic University, Boca Raton, FL

 

“Glamour, Glory and Gold”, The Proposition Gallery, New York

 

“Seeds and Roots”, Studio Museum in Harlem, NY

 

“It’s About Memory”, Rhona Hoffman Gallery, Chicago, IL

2003

“Beauty”, Kravets/Wehby Gallery, New York

 

“Pantone”, Massimo Audiello Gallery, New York

 

“Because I’m Worth It”, Chelsea Art Museum, New York

 

“Hands on Hands Down”, Studio Museum in Harlem, NY

2002

“Why Don’t We Do It In the Road”, Ambrosino Gallery, Miami, FL

1999

Corridor Gallery, Brooklyn, NY

 

Elizabeth Stockel Battel Gallery, Norfolk, CT

1997

“Brush”, The Yellow Door Gallery, New York

 

The Knitting Factory, New York

 

Downtown Community Television Center, New York

2012

Finkel, Jori, “Mickalene Thomas, up close and very personal”, Los Angeles Times, April 20

2011

Pollack, Barbara, “Rhinestone Odaliques”, ARTnews, January

 

Hirsch, Faye, “ Sharon Stone In Abuja”, Art in America, March

 

Maerkle, Andrea, “’Mama Bush’ puts black women in a powerful light”, The Japan Times, April 8

 

“Soul Kitchen: Studio Visit with Mickalene Thomas”, Life and Times, www.lifeandtimes.com/soul-kitchen

 

“Mickalene Thomas”, conversation with Sean Landers, BOMB Magazine, June

 

Rosenberg, Karen, “Mickalene Thomas: More Than Everything”, The New York Times, October 20

 

Frankel, David, “Mickalene Thomas”, Artforum, December

2010

Wagley, Catherine, “Bright and Polished”, Daily Serving, May 28 (link)

 

Blasberg, Derek, “Happy Birthday, Naomi!”, V Magazine, Issue 65, p.38

 

Smith, Roberta, “Print Fair 2010”, The New York Times, November 5

 

Casagrande, Reggie, “Feature: Mickalene Thomas: A Complex Vision,” Lipsticktracez

 

“Collected. Reflections on the Permanent Collection,” Studio, Winter, p.13

 

Gaines, Carl, “The Cleopatra Jones of the Brooklyn Art Scene,” Brooklyn Based, April 8

 

Laster, Paul, “A Window on Art,” The New York Observer, April 21

 

Rudolph, Ellen, Pattern ID, Akron Art Museum, Akron, OH

 

Thompson, Haven, “Creative Chic,” W Magazine, April, p. 92

 

“In The Flesh,” V Magazine, Issue 63, Spring, p. 46-47

 

“Versus,” Faction Magazine, Issue 11, January

2009

Kazanjian, Dodie, “Dreaming the Landscape”, Vogue, November

 

Oates, Leah, “Bedazzled: Fall 2009 Conversations with Mickalene Thomas”, NY Arts, Fall

 

Cregan, Lisa, “Cabin Fever!”, CS Interiors, Fall 2009, p. 78-83

 

Miranda, Carolina, “Features: Art Basel Miami: Sales May Be Soft, But the Party Goes On,” WNYC, December 4 radio feature

 

Solway, Diane. “Let Them Eat Cake,” W Magazine Gallery Go-Round, November 4

 

Russeth, Andrew. “Let Them Eat Cake,” ARTINFO November 5

 

Yablonsky, Linda. “The Moment: Sugar High at Haunch of Venison,” T: New York Times Style Magazine, November 5

 

Gensler, Andy. “The Moment: Rock on the Block, The Phillips de Pury Music Sale,” T: New York Times Style Magazine November 19

 

Cox, Johanna, “ArtWalk NY Turns 15, Honors Pat Steir,” ELLE News Blog, November 18

 

Lunn, Natasha. “The Moment: In Focus, Dressing Up at the ICP,” T: New York Times Style Magazine October 15

 

Smith, Roberta, “Dress Codes: Beyond a Simple Fashion Statement”, New York Times, October 8

 

Portfolio: Mickalene Thomas,” Fantom: Photographic Quarterly Issue 01, Autumn: pp. 3-11

 

“Mickalene Thomas: Odalisques,” ARTCO October 8: online.

 

Muscionico, Daniele. “Ein Sommer mit Donna,” Die Weltwoche No. 40, October: pp. 60-61

 

Edelson, Sharon. “ICP Year of Fashion Culminates with ‘Dress Codes,’” Women’s Wear Daily, Sept. 16, p. 26

 

Egan, Maura. “The Moment: Boogie Down Productions at MoMA,” T: New York Times Style Magazine, Sept. 25

 

Medwick, Cathleen. “Arthouse,” O: The Oprah Magazine Vol. 10, No. 8, August, p. 134-41

 

Egan, Maura. “The Moment: The Girlie Show,” T: New York Times Style Magazine June 30

 

Brielmaier, Isolde and Ivan Lopez Munuera, “Something You Can Feel”, Exhibition catalogue, La Conservera, Murcia, Spain

 

Adam, Georgina, “Buoyant Basel Contrasts With Russian Reluctance,” The Financial Times, June 13-14, p. 12

 

Douglas, Sarah, “Basel Grins and Bears Pre-Boom Prices”, ArtInfo, June 11

 

Lamm, Kimberly. “Mickalene Thomas, ‘She’s Come UnDone!’” The Brooklyn Rail May

 

Smith, Roberta, “Mickalene Thomas ‘She’s Come Undone!’”, The New York Times, May 1

 

Kerr, Merrily. “Mickalene Thomas, ‘She’s Come UnDone!’” Time Out New York April 23-29: p. 53.

 

Shaw, Cameron, “Mickalene Thomas at Lehmann Maupin”, Art Forum, April 21

 

Kino, Carol, “A Confidence Highlighted in Rhinestones”, New York Times, April 7

 

“What Does Glamour Mean to You?” Glamour April: pp. 260-7.

 

Leive, Cindi, The Glamour Project, New York: Lehmann Maupin Gallery

 

Crisell, Luke. “Body and Soul,” NYLON April: p. 148.

 

Alexander, Lily, “Mickalene Thomas: She’s Come UnDone!”, Whitewall, April 2

 

Wright, Jeffrey Cyphers. “Illusion, mystique, and plain beauty in sparkling paintings,” The Villager Vol. 78, No. 43: April 1-7.

 

“Go See: Mickalene Thomas’s ‘She’s Come UnDone!’ at Lehmann Maupin in New York though May 2, 2009,” AO Art Observed, March 31

 

Walker, Kara, “Artists on Artists: Mickalene Thomas”, Bomb Magazine, No. 107, p 72, Spring

 

Cotter, Holland, “On the Piers, Testing the Waters in a Down Art Market”, The New York Times, March 5

 

Dailey, Meghan, “In the Studio: Mickalene Thomas”, Art + Auction, March

 

Jackson, Brian Keith, “American Vision”, Giant Magazine, December/January

 

Hobbs, Robert, Franklin Sirmans and Michele Wallace, “30 Americans”, exhibition catalogue, Rubell Family Collection

 

Bedolla, Myrtis. “Rubell Show, A Stand Out,” The International Review of African American Art Vol. 22, No 3: pp. 45-46.

 

Bonin, Claudia, “Radar,” Art Das Kunstmagazin, March 23

 

Cutler, Jody B. “A Lineage is Not a Category,” The International Review of African American Art Vol. 22, No. 4, pp. 38-42.

 

Ditner, Judy, Ed. Dress Codes: The Third ICP Triennial of Photography and Video. New York: The International Center of Photography/Steidl

 

Haber, John. “Post-Post-Black,” Haber’s Art Reviews (www.haberarts.com) March

 

Finch, Charlie. “Another Country,” Artnet March 30.

 

Frank, Alex. “NYC Armory Show: Sour Times, Bright Colors,” FADER, March 13

 

Laster, Paul. “The Armory Show, Two Piers of Peerless Entertainment,” ArtKrush February 26

 

“Goings On About Town: Art: ‘The Brand New Heavies,’” The New Yorker February 23: p. 10.

 

Grabner, Michelle. “Reviews,” ArtForum February: pp. 197-8.

 

Finch, Charlie. “Having a Rave Up!” Artnet January 29.

 

Holzwarth, Hans Werner, Ed. 100 Contemporary Artists: L-Z. Los Angeles: Taschen.

 

Leive, Cindi. The Glamour Project. New York: Lehmann Maupin Gallery.

 

Robinett, Rae Anne. “Mickalene Thomas,” Beautiful Decay Issue Z: pp. 74-81.

 

TWO x TWO for AIDS and Art. Dallas: amfAR and The Dallas Museum of Art and Sotheby’s.

 

“What’s Up: Collected. Propositions on the Permanent Collection,” Studio Spring 2009: p. 5.

 

Willis, Deborah. Posing Beauty: African American Images: 1890’s to the Present. New York: Norton.

2008

Ewing, John, “New York: Perverted by Theater at Apexart”, Art Lies, No. 60, Winter

 

Tonchi, Stefano, “Now Shopping: The Art Basel Miami Wish List”, The Moment, NY Times Blog, December 5

 

Weinberg, Lauren, “Jet Set: Black History Shines in Mickalene Thomas’ show at Rhona Hoffman”, Time Out Chicago, Issue 195, November 20-26

 

Holzwarth, Hans Werner, “Art Now, Vol. 3”, Taschen, essay by Vivian Rehberg

 

Copeland, Huey, “The Blackness of Blackness”, ArtForum, October

 

Salsbury, Britany, “Critic’s Picks: Black Is, Black Ain’t”, ArtForum, May

 

Psyllos, Steven. “USA Today: A Visual Mixtape”, TRACE, issue 81

 

Pratt, Ken. “Material Stealth”, Wound, Fall, issue 4

 

Evans, Ali, “A Portrait of an Artist by an Artist”, Studio Museum Harlem Magazine, Spring

 

Watson, Simon. “Mickalene Thomas: Lush Life”, Whitewall, no. 8, Winter

2007

Rosenberg, Karen, “At Fairs by the Beach, the Sands of Creativity”, New York Times, December 8

 

Allan, Stacey, “Mickalene Thomas at Susanne Vielmetter Los Angeles Projects”, Modern Painters, December 2007—January 2008

 

Douglas, Sarah, “‘Intimately Scaled’ Pulse Looks Promising”, Artinfo, October 11

 

“Goings On About Town: Shinique Smith / Mickalene Thomas”, The New Yorker, May 7

 

Rosenberg, Karen, “An Afternoon in Chelsea”, New York Magazine, May 7

 

Cotter, Holland, “Prime Time: Mickalene Thomas and Shinique Smith”, New York Times, May 4

 

ES, “Prime Time”, Artkrush, May 2

 

Swartz, Anne, “Sex Privilege and Power: The Paintings of Mickalene Thomas”, NY Arts, May/June

 

Wiley, Kehinde, “The Sexiest Image I’ve Seen”, GQ, April

 

Miller, Leigh Anne, “Scope”, Art in America, April

 

Hunt, Kenya, “Rhinestones and Oprah”, Metro, March 30

 

Miller, Rebecca, Shotgun Review, “MyLove is a 187”, March 18

 

Viafora Kress, Althea, “Shaken, Not Deterred: Interview with Curator Brian Keith Jackson and artists Mickalene Thomas, Shinique Amie Smith, and Navin June Norling”, vernissage-tv.com, February 25

 

Trends, “Mickalene Thomas”, Muse Magazine, January 10

2006

Thorncroft, Anthony,”Basel Comes to the Beach”, Financial Times, December 2

 

Lynn, Sue, “One Gal’s Opinion of Art Basel”, Entertainment and News, December

 

“You’ll have to stand in Line for the work of these hot, young Yale artists”, American Art Collector, December

 

Camper, Fred, “Desire in the Abstract”, Chicago Reader, November 17

 

Peterson, Kristen, “The Look is a Blast from the Past”, Las Vegas Sun, October 27

 

Ross, Susan, “More, More, More”, NYArts, May/June

 

Valdez, Sarah, “Frequency Bling and Beyond”, Art in America, April

 

Gronlund, Melissa, “Frequency”, Frieze, March

 

Spence, Rebecca, “How Street it is”, ArtNews, February

 

“Maximum Flavor”, Bare & Bitter Sleep

 

Haber, John, “Haber’s Art Reviews: Frequency”, February

 

Genocchio, Benjamin, “Exploring the Effects of Disco’s Beat”, The New York Times, February

 

Cotter, Holland, “Do You Think I’m Disco”, The New York Times, February

 

Stillman, Nick, “Frequency”, Brooklyn Rail, February

 

Oppenheim, Phil, “5X5 Five Artist/Five Perspectives”, Art Papers, January/February

 

Ribas, Jose, “Emerging Collectors: A Profile of John Morrissey”, ArtInfo, January

 

Kastner, Jeffrey, “Frequency”, Art Forum, January

2005

Frank, Peter, “Neovernacular, Good Clean Fun”, LA Weekly, December

 

Sirmans, Franklin, “This Woman’s Work”, Essence, November

 

Smith, Roberta, “Where Issues of Black Identity Meet the Concerns of Every Artist”, The New York Times, November 18

 

Feaster, Felicia, “Five works by five artists 5X5 takes a mostly critical look at our media-drenched culture”, Creative Loafing, October

 

Feaster, Felicia, “Buy and Large exhibit explores our devouring desire for more stuff”, Creative Loafing, June

 

Rimanelli, David, “Greater New York 2005”, Artforum, May

 

Wiley, Kehinde, “Top Ten”, Art Forum, April

 

Gardner, James, “They’re Unknown Under 30..”, New York Post, March 23

 

“New and Noteworthy: Queen Scene”, Museums New York

2004

Weinberg, Michelle, “It’s All About Me”, Miami Newtimes.com, November 25

 

Mills, Michael, “Through A Fractured Lens”, Newtimes bpb.com, November 18

 

Laster, Paul, “Back-to-back at SMH: interviews with Mickalene Thomas and Dave McKenzie”, wburg, Vol. 4 No. 2, August

 

Nichols, Matthew Guy, “Hands on Hands Down”, Art in America, February

 

Smith, Roberta, “Art in Review”, The New York Times, January 23

 

“Goings On”, The New Yorker, August 27

 

Kim, Christine, Hands on, Hands Down (brochure), Studio Museum in Harlem, NY

2008

30 Americans, Rubell Family Collection

 

Art Now, Vol. 3, Taschen

 

The Other Mainstream II: Selections from the Mikki and Stanley Weithorn

 

Collection, Arizona State University Art Museum.

 

Becoming: Photographs from the Wedge Collection, Museum of Contemporary Art

 

Art Now: Taschen Calendar

2007

FLAVA: WEDGE CURATORIAL PROJECTS (1997-2007) by Wedge

2006

Palm Beach Collects: The John Morrissey Collection

2005

Frequency: Studio Museum in Harlem, New York

 

P.S.1 Greater New York

2009

The Joan Mitchell Foundation Grant

2007

Rema Hort Mann Grant

2002

Barry Cohen Scholarship, Yale University

2001

Paul Harper Fellowship, Yale University

2000

Presidential Merit Scholarship

1999

Elizabeth Stokel Battell Fellowship

 

Student Activities Graduate Assistant Award

1998

Pratt Institute Student Leadership Award

1995-1997

Pratt Institute Black Alumni Scholarship

2011

Versailles Foundation Munn Artists Program at Giverny, France

2010

Anderson Ranch Arts Center, Aspen, CO

 

Durham Press, Durham, PA

2002-2003

Studio Museum in Harlem, NY

2001

Vermont Studios Center, Johnson, VT

1999

Yale Norfolk Summer of Music and Art, Norfolk, CT

2009

“The Brand New Heavies” Collette Blanchard Gallery, New York, NY

2010

Artist’s Lecture, Cranbrook Academy of Art, Bloomfield Hills, MI

 

Artist’s Lecture, Columbia College, Chicago, IL

2009

Generation Next: Mickalene Thomas and the Legacy, Santa Monica Museum, CA

 

Artist’s Talk, Yale University School of Art, New Haven, CT

2008

ReIGNITE: Making Art in the World, Panel Discussion, Pratt Institute, Brooklyn, NY

2007

MICA Senior Thesis Seminar, Brown Center Falvey Hall, Baltimore, MD

2006

The Stoop Series, Bric’s Rotunda Gallery & NY Magazine, New York, NY

2005

"Conversations with the Artists”, MoMA, New York

2004

"Artist’s Voice”, Rhode Island School of Design, Providence, RI

2003

Fine Arts Seminar, Pratt Institute, Brooklyn, NY

 

"Artist’s Voice”, Studio Museum in Harlem, NY

 

Panel Discussion, Pratt Institute, Brooklyn, NY

 

"Two Years”, Pratt Panel, Pratt Institute, Brooklyn, NY

2002

Artist’s Talk, Exploration Senior Summer Program, New Haven, CT

2009

Oh Mickey! Kreemart and the American Patrons of Tate, Haunch of Venison, New York, NY

 

Professor of Music and DJ Dean of Admissions, MoMixx at Museum of Modern Art, New York, NY

21c Museum

The Guggenheim Museum, New York

The Akron Art Museum

The International Center of Photography, New York

The Art Institute of Chicago

The Art Gallery of Ontario

The Museum of Fine Arts, Boston

Brooklyn Museum

The Museum of Modern Art

Art National Portrait Gallery, Smithsonian Institution

Nerman Museum of Contemporary

The Mikki and Stanley Weithorn Collection

The Rubell Family Collection

San Francisco Museum of Modern Art

The Studio Museum in Harlem, NY

The Sender Collection

West Collection