Susanne Vielmetter Los Angeles Projects
Jutta Koether
1958 Born in Cologne, Germany
Lives and works in New York
2011
“Berliner Schlussel”, Galerie Daniel Buchholtz, Berlin, Germany
“The Thirst”, Moderna Museet, Stockholm, Sweden
2009
“Sovereign Women in Painting”, Susanne Vielmetter Los Angeles Projects, Culver City, CA
2008
"New Yorker Fenster", Galerie Daniel Buchholz, Cologne, Germany
“No.5“, Kunsthall Landmark, Bergen, Norway
“The fact that you place your bet on red does not mean that the black is not still there”, Galerie Francesca Pia, Zürich, Switzerland
"JXXXA Leibhaftige Malerei", Sutton Lane, Paris, France
"Leibhaftige Malerei JXXXA", Bergen Kunsthall, Bergen, Norway
2007
“Änderungen Aller Art”, Kunsthalle Bern, Bern, Switzerland
“Jutta Koether / Rodney McMillian”, Susanne Vielmetter Berlin Projects, Berlin, Germany “Änderungen Aller Art”, Kunsthalle Bern, Bern, Switzerland
"Dead Already", Reena Spaulings Fine Art, New York, NY (two person show with Kim Gordon)
2006
"love in a void", Akademie der Bildenden Kunste, Vienna, Austria
“Fantasia Colonia”, Kölnischer Kunstverein, Köln (Cologne), Germany
“Volume 13”, Susanne Vielmetter Los Angeles Projects, Los Angeles, CA
2005
“Hysterics (Male)”, Susanne Vielmetter Los Angeles Projects, Los Angeles, CA
“I Is Had Gone”, Thomas Erben Gallery, New York, NY
“Very Lost Highway”, Simultanhalle, Köln (Cologne), Germany
“extreme harsh”, Ausstellungsraum Ursula Werz, Tübingen, Germany
Kim Gordon and Jutta Koether, Talk and Performance at Tate Modern, London, UK
2004
“Allein, Allein!” Galerie Meerrettich, Berlin, Germany
“Fresh Aufhebung”, Reena Spaulings Fine Arts, New York, NY
“Fresh Aufhebung—Künstlerisches Interesse am philosphisch verneinten Wunderglauben”, Kölnischer Kunstverein, Cologne, Germany
2003
“Desire Is War”, Galerie Meerrettich, Berlin, Germany
“The Club in the Shadow”, in collaboration with Kim Gordon, Kenny Schachter conTEMPorary, New York, NY
“Europe Extreme III: Farbenfieber”, Performance, Pro qm, Berlin, Germany
2002
“Extremes Europa”, Galerie Daniel Buchholz, Köln (Cologne), Germany
“Black Bonds”, Jutta Koether and Steven Parrino, Swiss Institute, New York, NY
2001
“Need Change # 1-4”, at Apt 6H, New York, NY
2000
“Ladies of the Rope”, Galerie Daniel Buchholz, Köln (Cologne), Germay
“Zur Grünen Schenke—fünf uhr nachmittags. die geheimen Bilder”, Galerie Freund, Vienna
1999
“sun/ny”, Pat Hearn Gallery, New York, NY
1998
“Billets-Doux”, Galerie Daniel Buchholz, Köln (Cologne), Germany
“Songs of New York & c”, Pat Hearn Gallery, New York, NY
1996
“after shows”, Pat Hearn Gallery, New York, NY
“Warmer Stern”, Galerie Daniel Buchholz, Köln (Cologne), Germany
1995
“frontage”, Pat Hearn Gallery, New York, NY
1993
“Unter”, Galerie Bruno Brunnet, Berlin, Germany
“Affective Import: Antibodies I-V”, Pat Hearn Gallery, New York, NY
1992
“100% Malerei”, Galerie Sophia Ungers, Köln (Cologne), Germany
1991
“Massen. Malerei und Versammlung”, Generali Foundation, Vienna, Austria
“Kissing the Canvas”, Pat Hearn Gallery, New York, NY
“The Halal File”, Standard Graphik, Köln (Cologne), Germany
“Koether”, Galerie Bleich-Rossi, Graz, Austria
1989
“20 Minuten”, Galerie Monika Sprüth, Köln (Cologne), Germany
1987
“The Things Art Makes”, Galerie Bleich-Rossi, Graz, Austria
“Werkschau Jutta Koether”, Kunstraum Stuttgart, Stuttgart, Germany
1985
“Road to Cairo”, CC Galerie, Graz, Austria
“Keeping the Issues Alive”, Galerie Jandrig, Krefeld, Germany
2012
The Whitney Biennial, Whitney Museum of American Art, New York, NY
2011
“Louise Despont, Jutta Koether, Alicja Kwade, Anj Smith, Marianne Vitale, Unica Zuern”, Ibid Projects, London, UK
2009
“Trio Exhibition 2009”, Van Abbemuseum, Netherlands
“Sonic Youth etc.: Sensational Fix“, Kunsthalle Düsseldorf, Germany (January 31, 2008 – May 10, 2009)
2008
“Reena Spaulings: Courbet your enthusiasm”, Galerie Chantal Crousel, Paris, France
“Her Noise Archives“, Badischer Kunstverein, Karlsruhe, Germany
“Black Noise, A tribute to Steven Parrino“, Ile des impressionnistes, Chatou, France
“Light is a kind of rhythem (part 2)“, Glaspavillion, Berlin, Germany
“Jutta Koether / John Miller“, Neuer Berliner Kunstverein, Berlin, Germany
“Artists Space“, New York (Performance)
“Grand Openings”, performance at the Museum Moderner Kunst Stiftung Ludwig Wien (MUMOK), Vienna, Austria
“Grand Openings”, performance at Bumpershoot Festival, Seattle, WA
“Altered States of Paint”, Dundee Contemporary Arts, Dundee, Scotland
“CA.BU. + BA.D.AL.MO”, Galerie Thomas Flor, Düsseldorf, Germany
2007
"Epileptic Seizure Comparison", Green Naftali, New York, NY
"24 November - 22 December", Sutton Lane – Paris, France
“Zwischen Zwei Toden / Between Two Deaths”, ZKM, Karlsruhe, Germany
"From the Audible to the Visible", Galerie Frank Elbaz, Paris, France
“Stubborn Materials”, Peter Blum Chelsea, New York, NY
"Lost and Found. Von Verlusten und Strategien der kulturellen Selbstermachtigung", Shedhalle Zurich
"Painting as Fact - Fact as Fiction", dePury & Luxembourg, Zurich, Switzerland
"Symbolismus und die Kunst der Gegenwart", von der Heydt-Museum Wuppertal, Wuppertal, Germany
"Shandyismus - Autorschaft als Genre - Ausstellungsgesprach", Secession, Vienna Austria, Kunsthaus Dresden, Dresden, Germany
"For the People of Paris", Sutton Lane - Paris, France
"What we do is secret", Blancpain Art Contemporain, Geneva, Switzerland
“Feminist Legacies and Potentials in Contemporary Art Practice: If I Can’t Dance I Don’t Want to be Part of Your Revolution”, Museum of Contemporary Art, Antwerp, Belgium
“If I Can’t Dance I Don’t Want to be Part of Your Revolution”, Utrecht, Netherlands
2006
“Music is a Better Noise”, P.S.1 Contemporary Art Center, Long Island, NY
“If I Can’t Dance I Don’t Want to be Part of Your Revolution”, De Appel, Amsterdam, Netherlands
"Hot Spring..In Autumn", Galerie Krinzinger, Vienna, Austria
“Grand Openings”, performance at Echigo-Tsumari Art Triennial 2006, Nigata-ken, Japan
"Gifts go in one direction", Apexart, New York, NY
"An Ongoing Low-Grade Mystery", Paul Cooper Gallery, New York, NY
"Metalist Moment", Performance, Herald St, London, UK
“Make Your Own Life”, ICA Philadelphia, traveling to: ICA Boston, Boston, MA; Henry Art Gallery, Seattle, WA
"Love Letter", Herald St, London, UK
"Galerie Daniel Buchholz at Metro Pictures", Metro Pictures Gallery, New York, NY
“The Dimes of March”, Reena Spaulings Fine Art, New York
The Whitney Biennial 2006, Whitney Museum of American Art, New York, NY
“The Subversive Charm of the Bourgeoisie”, Van Abbemuseum, Eindhoven
“Bring the War Home”, Elizabeth Dee Gallery, New York and QED, Los Angeles, organized by Drew Heitzler
"Reena Spaulings - Bialystoker", Sutton Lane, London, UK
"Replay - The Aesthetics of Art and Music/Punk", MAGASIN - Centre National d'Art Contemporaine de Grenoble, Grenoble, France
2005
Performa 05, Performa, New York, NY
“Blankness is not a Void”, Standard (Oslo), Oslo, Norway
“Afterall”, Apexart, New York, NY
Reena Spaulings, Haswellediger Gallery, New York, NY
“Trade”, White Columns, New York, NY
2004
“Born To Be a Star”, Künstlerhaus Vienna, Austria
“Curious Crystals of Unusual Purity”, PS1, New York, NY
“Auf dem Berlich”, curated by Silke Bauer, Köln (Cologne), Germany
“Müllberg”, Galerie Daniel Buchholz, Köln (Cologne), Germany
“The Big Nothing”, ICA Philadelphia, Philadelphia, PA
“Jetzt und zehn Jahre davor”, KW Institute of Contemporary Art, Berlin, Germany
“Teil 1 Müllberg“, Galerie Daniel Buchholz, Köln (Cologne), Germany
“Publish and be damned”, Cubitt, London, UK
“The personal is political, und peinlich”, Kunsthalle Exnergasse, Wien (Vienna), Austria
2003
“deutschemalereizweitausenddrei”, Frankfurter Kunstverein, Frankfurt/Main, Germany
“Lordship and Bondage”, Columbia University, New York, NY
“Vom Horror der Kunst”, Steirischer Herbst, Grazer Kunstverein, Graz, Austria
“Fresh Aufhebung”, performance im Rahmen der Ausstellung: “Dass die Körper sprechen, auch das wissen wir seit langem”, Generali Foundation, Vienna, Austria
“Catholic”, Guild & Greyshkul, New York, NY
“Wild Nights: Remembering Colin de Land”, CB’s Gallery, New York, NY
“Girls Gone Wild”, Bronwyn Keenan Gallery, New York, NY
“The Club in the Shadow”, (collaborative installation and musical performances with Kim Gordon) at Kenny Schachter Contemporary, New York, NY
“Black Bonds” (with Steven Parrino,) Swiss Institute New York, NY
“Unknown Pleasures”, Daniel Reich, New York, NY
“20th Anniversary Show”, Monika Sprüth, Philomene Magers, Köln (Cologne), Germany
“The Melvins”, Anton Kern Gallery, New York, NY
“Holler Color Holler”, special event in the backroom of Greene Naftali, New York, NY
2002
“Unknown Pleasures“, Daniel Reich, New York, NY
2000
“Kim’s Bedroom”, MU Art Foundation/De Witte Dame, Eindhoven, Netherlands
“Prophecies”, Swiss Institute, NY
“Hex Induction Hour by the Fall”, Team Gallery, NY, curated by Bob Nickas
1999
“Malerei”, INIT Kunsthalle, Berlin, Germany
1998
“Brushholder Value”, Westfälischer Kunstverein, Münster, Germany
“Mary Heilmann, Joan Jonas, Jutta Koether, Monique Prieto”, Pat Hearn Gallery, New York, NY
1997
“Thomas Emde, Isabell Heimerdinger, Jutta Koether”, Newspace, Los Angeles, CA, curated by Susanne Vielmetter
1996
“A / Drift”, Bard College, Annandale-on-Hudson, New York, curated by Joshua Decter
“Painting the Extended Field”, Magasin 3, Center for Contemporary Art, Malmö, Sweden
“Screen”, Friedrich Petzel Gallery, New York, curated by Joshua Decter
“Ooo La La!: Twelve Members of the New York Art World Select Twelve Emerging Women Artists”, Soho 20, New York, NY
1995
“When Techno Turns to Poetry”, Kunstwerke, Berlin, Germany
“Joy of Painting”, Here, New York, curated by Ami Arnault and Alix Lambert
1994
“Spielverderber”, Forum Stadtpark, Graz, Austria
“The Use of Pleasure”, Terrain Gallery, San Francisco, CA, curated by Bob Nickas
“Reflex: Die Neunziger”, Wiener Secession, Vienna, Austria, curated by Martin Prinzhorn
“Dysfunction USA”, Arthur Rogers Gallery, New Orleans, LA, curated by Bob Nickas and Peter Halley
“Rehearsal for ‘frontage’”, innerhalb von “Taste Venue”, Pat Hearn Gallery, New York, NY
1993
Galerie Christian Nagel, Köln (Cologne), Germany, curated by Cosima von Bonin and Michael Krebber
Daniela Salvioni
“X-Art Foundation”, Blast Art Benefit, New York, NY
“Parralax View: Cologne—New York”, PS 1 Institute for Contemporary Art, New York, NY, curated by
“June”, Galerie Thaddaeus Ropac, Paris, France
“Abstract for Affective Import”, Whitney Museum of American Art, Independent Study Program Annual Open Studio Competition, New York, NY
“Malerei 2000”, Wien (Vienna), Austria, curated by ARTFAN
“The Good, the Bad and the Ugly”, Galerie Jousse Sequin, Paris, France, curated by Peter Hopkins
1992
“The Inside Job”, innerhalb von “The Real Thing”, Water Bar, New York, organized by Eric Oppenheim
“Massenverhältnisse—Standards”, Galerie Sophia Ungers, Köln (Cologne), Germany
Galerie Laage Salomon, Paris, France, with L. Joubert
Bruno Brunnet Fine Arts, Berlin, Germany with Merlin Carpenter, Michael Krebber, Cosima von Bonin
“1968”, Le Consortium, Dijon, France, curated by Bob Nickas
“Projezioni”, Buchholz & Buchholz, Köln (Cologne), Germany, curated by Gregorio Magnani
“7 Rooms, 7 Curators”, Institute for Contemporary Art, New York, NY, curated by Lois Nesbitt
1991
“Auf Tod folgt Tod”, innerhalb von “The Köln Show”, 9 Kölner Galerien, Köln (Cologne), Germany
“Koether—Malerei 2”, 90 a.s.o., Auvers-sur Oise. Kuratiert von Francoise Claire Prodhon and Alain Reinaudo
“Regard sur la Jeune Creation Allemande”, 36. Salon de Montrouge, Montrouge, France
1989
“Hypostatics”, Kunstverein München, curated by minimal club, München, Germany
1987
“Practical Relations of Everyday Life”, Raum Lothringer Straße, München, Germany
“Spectacle of the West”, La Maquina Espanola, Sevilla, Spain (with Bettina Semmer and Rosemarie Trockel)
“Information in Jutta Koether”, Wiener Secession, Wien (Vienna), Austria, f. Plakat (Buch)
“... of Everyday Life”, innerhalb der Ausstellung Broken Neon, Forum Stadtpark, Graz, Austria, curated by Martin Kippenberger
1986
“Terminal Islands”, Forum Stadtpark, Graz, Austria, curated by Diedrich Diederichsen
1985
“Smell of Female”, La Grande Serre, Rouen, France (with Bettina Semmer and Rosemarie Trockel)
2011
“Jutta Koether-,Interview with Kim Gordon”, Flash Art, January-February Issue
Cairns, Steven, “Jutta Koether” Critic’s Pick, Artforum, January
2010
Fox, Dan, “XXX Macarena (From the Nursery/Primary Information, 2010),”, Frieze, Issue 130, April
Nickas, Bob, Painting Abstraction, Phaidon
2009
Dahn, Max, and Martin Hossbach, “Entspannt in den Konjunkturen der Sympathie“, Spex, # 318, Jan/Feb
2008
Koether, Jutta, and Alan licht, “On Sonic Youth“, in exhibition cat. “Sonic Youth etc. Sensational Fix”, pp. 52 - 64
Sarah Lowndes, “Altered States of Paint”, Frieze, p. 203, September
Georges Didi-Hubermann, Anschaulich Werden“, Texte zur Kunst, pp. 196 – 201, June
Koether, Jutta, “Now, Then! Now, Then! Now, Then!”, Artforum, p. 408 – 411, September
Hafner, Hans Jürgen, “Das Einmaleins der Stunde Null”, Artnet Magazine, 21. November
Koether, Jutta, “Anschaulich Werden”, Texte zur Kunst, June
Trezzi, Nicola, “Jutta Koether”, FlashArtOnline.com, February 15
Yablonsky, Linda, “Poll Positions”, Artforum.com, February 6
2007
Licht, Alan, “Sound Art: Beyond Music, Between Categories”, Rizzoli International Publications, pp. 154-155, 192-193
Zucker, Seth, “Reena Spaulings“, Radical Art, pp. 329 - 331 and 347 - 348
“Between two deaths at ZKM“, artnews.info, May 25
Lorch, Catrin, ”Niemand is een vrouw, De antiautortaire kunst van Jutta Koether, page“, in: Metropolis M, #2 pp. 68 – 73, April/May
AH, ”Jutta Koether in der Kunsthalle“, Kunst Bulletin pp.60-61, March
“Jutta Koether, Shirly“, Born to be a Star, Ausstellungskatalog K/Haus, pp.33 – 37, Vienna
Wagner, Stefan, ”Jutta Koether“, Flash Art, p.132, March – April
Henkes, Alice, ”Bern: Jutta Koether in der Kunsthalle“, Kunstbulletin, February 23, 2007-03-26
Szczesniak, Paulina, ”Kampf gegen die geschmackliche Langeweile“, Tages Anzeiger Zürich, p. 43, February 8
Schröder, Nicola, ”Ohrenbetäubende Entgrenzung“, Ensuite, #3, p. 39, February 3
Miesch, Barbara, ”Statements zur Malerei“, Aargauer Zeitung, January 25
Christ, Stefanie, ”Wirre Klangwelten im Dunkeln“, Berner Zeitung, January 22
Henkes, Alice, ”Grellrote Sternennächte“, Der Bund, January 9
Miesch, Barbara. ”Jutta Koether in der Kunsthalle Bern – Gestische Malerei im Prüfstand – Kritik“, Schweizer Depeschenagentur, p.54, January 19
“Jutta Koether – Aenderungen Aller Art“, Indepth Arts News, January
“Jutta Koether in Bern“, www.kunstmarkt.com, January
Christ, Stefanie, ”Crossover-Kunst“, Berner Oberländer, p.33, January 18
”Mehr als «nur» Künstlerin“, Kulturagenda, January 11, 2007, p.16
”Jutta Koether – Kunsthalle Bern“, www.art-in.de, January 10, 2007
Verwoert, Jan, ”Use Me Up“, Metropolis M, No.1, p.50 – 56
Beasley, Mark, “Sympathy for the Devil: Art and Rock and Roll Since 1967”, Artforum.com, December
Smith, Roberta, “In these Shows, the Material is the Message”, New York Times, August 10
Parrino, Steven, “Bastard Creature”, Palais De Tokyo, Summer
Sayej, Nadja, “Make Your Own Life”, ArtUS, January/February
Peter Blum, “Stubborn Materials“, Artforum, pp. 370-371, November
Dorothee Baer-Bogenschütz, “Bloß keine Diskurs – Kacke“, Kunstzeotung, p. 13, January 5
2006
Kushner, Rachel, “On the Ground: Los Angeles”, Artforum, December
Kerr, Merrily, “Bring the War Home”, Art on Paper, November/December
Verwoert, Jan, “The Days of Our Lives”, frieze, November/December
Blumenstein, Ellen, “L.A. Confidential”, Monopol, November/December
Thomann,Mirjam, ”Du bist nicht allein / Ein Roundtablegespräch mit Stephan Geene, Jutta Koether, Markus Müller, Bernadette Van-Huy und Antek Walczak, moderiert von Mirjam Thomann”, Texte Zur Kunst, pp.106 – 120, September
Verwoert, Jan, ” The Davs of Our Lives”, Artforum, Issue 103, p.131, November/December
Verwoert, Jan, “Masters and Servants or Lovers”
“Make Your Own Life: Artist’s in & Out of Cologne“, ICA Gallery Notes
“Jutta Koether: Volume 13 / Susanne Vielmetter Los Angeles Projects”, www.vernissagetv.com, August 23
Myers, Holly, “A message in the starkness – Jutta Koether at Vielmetter”, Los Angeles Times, August 18
Cotter, Holland, “Where the Focus Is Sharp but the Categories Blurry”, The New York Times, August 16
Spaid, Sue, “Whitney Biennial 2006’’, ArtUS, July/September, issue 14
Brooks, Amra, “Art Pick: Must See Art: Jutta Koether at Susanne Vielmetter Los Angeles Projects”, LA Weekly, August 2
Tepel, Oliver, “Hallo Wände - Sven Johne / Fergus Greer / Jutta Koether W/ Steven Parrino”, Spex, #296, No. 03/2006, p. 76
Koether, Jutta, “Martin Kippenberger”, interview, in: Flash Art, No. 247, March-April 2006, p. 92-96, first published in Flash Art, No. 156, January-February 1991
Graw, Isabelle, “Peripheral Vision”, in: Artforum, March, p. 258-263
Jutta Koether on Martin Kippenberger, in: Tate etc., iss. 6, spring, p. 36
2005
Smith, Roberta, “Jutta Koether”, NY Times, April 15
Avgikos, Jan, “Jutta Koether”, Artforum, Summer Issue
Blasi, Johanna Di, “Alles verfließt mit allem”, in: Kölner Stadt-Anzeiger, No. 210, September 9, p. 29
Leffingwell, Edward, “Jutta Koether at Thomas Erben”, Art in America, June/July Issue
Gilligan. Melanie, “Ich Ist War Weg”, Texte Zur Kunst, June, Vol.15, Issue 58, p. 192-195
Koether, Jutta, “Heart of Noise”, in: Texte zur Kunst, iss. 60, December, p. 144-145
“Die 80er Jahre sind unter uns/The 80ies are in our midst. Roundtable Gespräch/Discussion with John M. Armleder, Benjamin H.D. Buchloh, Werner Büttner, Isabelle Graw, Kasper König, Jutta
Koether and Thomas Ruff, moderated by Philipp Kaiser”, in: exh. cat. ‘Flashback’, Kunstmuseum Basel, p. 21-93
“Jutta Koether: Very Lost Highway”, in: Stadt Revue, 09/2005, p. 87
Koether, Jutta und Nickas, Bob, “Dark Star”, in: Artforum, No. 7, March, p.59
Koether, Jutta and Gordon, Kim, “Trading Post!“, in: Trade - The W.C. # 1, exhibition catalogue, February 4 - March 12
Gilligan, Melanie, “Kollektive Erhebung. Über das Projekt Orchard in New York”, in: Texte zur Kunst, iss. 59, September, p. 76-85
“Arbeiten von Jutta Koether bei Werz”, in: Schwäbisches Tagblatt, Tuesday, August 9, p. 19
Christian Egger: “When bands turn into the art of noise”, in: spike Art Quarterly, No. 4, summer, p. 110-114
Rita Vitorelli in conversation with Jutta Koether, in: Spike, no. 05, autumn, p. 72-78
2004
Koether, Jutta, “Alles in Allem”, Interview mit Karl Lagerfeld, in: Texte zur Kunst, Dezember, S. 32-43
Koether, Jutta, “Sondersphärig! Zwanzig Minuten vor der Marc-Jacobs-Show”, in: Texte zur Kunst, Dezember, S. 96-101
Egger, Christian, “Inteview mit Jutta Koether”, in: Löhfelm, Nr. 7, November, S. 30-40
Koether, Jutta, “Shirly”, in: ‘Born to be a star’, exhibition brochure, Künstlerhaus Wien, S. 4-5
2003
Nickas, Bob, “How to Write About …Jutta Koether and Thomas Groetz: Unfinished Sympathies”, afterall, London and Los Angeles, issue 07, p. 40-55
Koether, Jutta, “& c”, Helvetica, Wien, 4. Ausg, Septmber, p. 19-25
“Roundtable: Barney im Abspann. Eine Gesprächsrunde mit Tom Holert, Gertrud Koch, Jutta Koether, Sebastian Schipper und Tom Tykwer”, Texte zur Kunst, Heft 51, September, p. 104-117
Smith, Roberta, “‘Girls Gone Wild’”, The New York Times, July 4
“Galleries: SoHo. ‘Girls Gone Wild’”, The New Yorker, June 30.
Koether, Jutta, “All alone (1957). Fautrier in den Vereinigten Staaten”, Texte zur Kunst, Heft 50, June, p. 54-61
Groetz, Thomas, “Unfinished Sympathies: On Jutta Koether’s art”, Afterall, issue 07, p. 52-55
Graw, Isabelle, “Peripher im Zentrum - Jutta Koether”, Die bessere Hälfte. Künstlerinnen des 20. und 21. Jahrhunderts, Köln: DuMont, p. 143-154
Schafhausen, Nicolaus (Hrsg.), “deutschemalereizweitausenddrei”, Ausst. Kat. Frankfurter Kunstverein, Frankfurt/Main, p. 60-61
2002
Koether, Jutta, “gogogo“, ecstatic peace, poetry journal, Nr. 4, Summer Issue
Koether, Jutta, “found artist N.Y.”, Starship, Nr. 5, Frühling, p. 17-21, Abb. p. 18-21
“Jutta Koether”, Lyrik-Ecke, Texte zur Kunst, Heft 48, Dezember, p. 104f
Cotter, Holland, “The Heavenly Tree Grows Downward”, The New York Times, September 20
Koether, Jutta, “Illustration – avocation – illustration”, ecstatic peace, poetry journal, Nr. 5, July
2001
Koether, Jutta, “teaser’s trail”, ecstatic peace, poetry journal, Nr. 3, Winter 2001/2002
Koether, Jutta: “mali thep”, ecstatic peace, poetry journal, Nr. 3, Winter 2001/2002
Koether, Jutta, “Nur dass nicht. Bruchstücke einer Performance von Jutta Koether”, Erniedrigung geniessen. Kapitalismus and Depression III. hrsg. von Carl Hegemann, Alexander Verlag Berlin, Berlin, p. 142-156
Koether, Jutta, “the life they make me lead”, ecstatic peace, poetry journal, Nr. 1, Spring
Lintzel, Aram, “No Trouble No Energy No Energy No Life. Jutta Koether spielt, spricht und hämmert zu ihren Bildern”, Erniedrigung geniessen. Kapitalismus und Depression III. hrsg. von Carl
Hegemann, Alexander, “Nachdruck mit freundlicher”, Verlag Berlin, Berlin, p. 157-159
Genehmigung der Frankfurter Allgemeinen Zeitung, in der der Artikel am 3./4. Februar erschien.
Lintzel, Aram, “Wenn der Hammer ins Meer sinkt”, in: Frankfurter Allgemeine Zeitung, Berliner Seiten, January 3
1998
Miller, John, “Prozeß-Expressionismus”, Texte zur Kunst, 8. Jahrgang Nr.29, März, p. 121-123
1997
Salz, Jerry, Time-Out Nr. 108, p. 46
Cotter, Holland, “Art in Review: Jutta Koether”, The New York Times, October 4
Pedersen, Victoria, “Gallery Go Round: Jutta Koether”, Paper Magazine, October
Levin, Kim, “Voice Choices: Galleries: Jutta Koether”, The Village Voice, September 30
1996
Kunstforum, Nr. 134, May-September, p. 242-248
Schmerler, Sarah, “Art in Review: Jutta Koether”, Time Out, March 6
Cotter, Holland, “Jutta Koether: aftershows”, The New York Times, February
Kelley, Mike, “Jutta Koether: ‘100 % Malerei’ oder Wie aus Musik Malerei wird und umgekehrt”,
1995
Siegel, Jeanne, “Jutta Koether at Pat Hearn”, ARTIS, März/April, p. 227-228
Levin, Kim, “Choices: Jutta Koether”, The Village Voice, February 28
Smith, Roberta, “Jutta Koether”, The New York Times, February 24
Koether, Jutta, “Deliratio III So frei”, Spex, October, p. 60-63
1993
“Goings On About Town”, The New Yorker, June 21
Smith, Roberta, “Jutta Koether”, The New York Times, June 4
Smith, Roberta, “German Art Still Breathes the Air of Ideas”, The New York Times, April 23
Corris, Michael, “Punishment and Decoration: Art in an Age of Militant Superficiality”, Artforum, April
Koether, Jutta and Diederichsen, Diedrich, “Achtung Baby: Pressing the Flesh. Jutta Koether and Diedrich Diederichsen on News from Germany”, Artforum, April
Zahm, Olivier, “Jutta Koether – Laurent Joubert”, Artforum, February
Koether, Jutta and Diederichsen, Diedrich, “Achtung Baby. Diedrich Diederichsen and Jutta Koether on
Levin, Kim, “Choices: Jutta Koether”, The Village Voice, June 29
Springtime for Hitler“, Artforum, January
1990
Koether, Jutta, “Halal”, Nieswandt, Hans, The Halal File, Texte zur gleichnamigen CD, Köln: Standard Graphik Köln
1988
Titz, Walter: „Michael Krebber/ Jutta Koether“ in: Artscribe, January-February
1986
Diederichsen, Diederich, “Jutta Koether”, Steirischer Herbst 86/ Forum Stadtpark Graz
1985
Koether, Jutta, “Smell of Female”, Ausst. Kat. Trockel, Semmer, Koether, La Grande Serre, Rouen
Koether, Jutta, “Road to Cairo”, CC Galerie Graz/Barbara Jandrig Galerie, Krefeld
2007
Koether, Jutta, “Black Noise”, artist book Nr. 19 of Black Noise, Ecart- Publications, Geneva
“Witness to Her Art”, with essay “Oh ah The fire! By Mrs. Benway 1985” by Johanna Burton, Bard College, pp. 205, March
“Symbolismus und die Kunst der Gegenwart“, Wuppertal, p. 135
2006
Kölnischer Kunstverein, exhibition catalogue, Cologne, Germany
2003
Desire Is War, copy-book-catalogue, Cologne, NY, open edition
1997
“Thomas Emde, Isabell Heimerdinger, Jutta Koether”, Newspace, Los Angeles, CA
1996
Kairos: Texte zur Kunst und Musik, Berlin: Edition ID-Archiv
1994
The Use of Pleasure. Die Neunziger. Wiener Secession. Herausgegeben von Martin Prinzhorn
1993
The Inside Job. Galerie Bleich-Rossi, Graz.
1992
100% Malerei. Niemand ist eine Frau. Galerie Sophia Ungers, Köln.
1991
Massen. EA Gnerali Foundation, Wien.
1990
The Köln Show. Herausgegeben von Isabelle Graw
1989
20 Minuten - 20 Minutes. Galerie Monika Sprüth, Köln
1987
Kandl, Koether, Stanzel. Wiener Secession, Kunstverein Wien
„f.“, Galerie Bleich-Rossi, Graz
Koether, Trockel, Semmer, La Maquina Espanola, Sevilla
Balkon, Raum Lothringer Straße, München
1986
Diedrich Diederichsen, “steirischer herbst ‘89”, Forum Stadtpark, Graz
Road to Cairo, CC Galerie, Graz
1985
“Trockel Semmer Koether”, La Grande Serre, Rouen
“Road to Cairo”, CC Galerie Graz/Barbara Jandrig Galerie, Krefeld
2010
“Theoretical: David Joselit in Conversation with Jutta Koether”, Issues Project Room, Brooklyn, NY
Museum of Contemporary Art, Los Angeles, CA
Kunsthalle Bern, Switzerland
MOCA Museum of Contemporary Art, Los Angeles, CA
Nationalgalerie, Berlin, Germany
Musee d'Art moderne de la Ville de Paris, Paris, France
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