Congratulations to Mary Kelly who has received an honorary doctorate from the University of the Arts London in recognition of her significant contributions to the feminist and postmodernism art movements.With a career spanning over 4 decades, Mary Kelly is one of the most influential contemporary artists today. Born in 1941, Mary graduated from the College of Saint Teresa in Minnesota, before crossing the Atlantic to study painting in Florence and later attending Central Saint Martins—known at the time as Saint Martin’s School of Art—where she earned a postgraduate certificate in painting.

Not long after graduating, Mary had her first solo show in 1976 at the London Institute of Contemporary Art, where she exhibited her career-defining work Post-Partum Document. The work is now considered one of the most important pieces of feminist conceptual art of the 20th century, exploring the socio-political intersections of identity, motherhood, and feminism. In 1985, Mary became the Artist-in-residence at Kettle’s Yard and Murray Edwards College, where she began work on her large-scale series Interim. She continued to develop the series and exhibited the complete work at the New Museum of Contemporary Art, New York in 1990.

Her work has been exhibited internationally, including a retrospective at the Whitworth Art Gallery in Manchester, and major surveys at the Moderna Museet in Stockholm and the Centre for Contemporary Art in Warsaw. She has also participated in prestigious exhibitions such as the Whitney Biennial, the Biennale of Sydney, and Documenta 12. She is a recipient of the Guggenheim Memorial Fellowship and honorary doctorates from Wolverhampton University, Lund University and the University of the Arts Helsinki.

During her tenure as a professor at the University of California, Los Angeles, she established the Interdisciplinary Studio program in 1997—pioneering an innovative approach to arts education and research. She currently serves as Judge Widney Professor at the Roski School of Art and Design at the University of Southern California.

Mary Kelly in her Studio, Los Angeles, 2024. Photo Credit: Kelly Barrie.

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Hugo McCloud’s work Dislocated Origins (2022-2024) will be on view at the Fenix Museum of Migration in Rotterdam as part of the inaugural exhibition All Directions on view beginning May 16th. Created specifically for the Fenix Museum, McCloud’s work, made out of single-use plastic bags, captures a fragment of the story of movement and migration—a fragment filled with layers, both literal and metaphorical.

“Migrating is a necessity. But walking the same route for generations became a ritual.” – Hugo McCloud

Photo credit: Hugo McCloud, Dislocated Origins, 2023-2024, Collection Fenix ©TITIA HAHNE

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Vielmetter Los Angeles congratulates Bari Ziperstein on receiving the 2025 Visionary Award from the Craft Contemporary. The museum will honor Ziperstein at the Benefit & Auction this Saturday, May 10th. Ziperstein is being recognized for her contributions to the field, pushing the boundaries of ceramics through her practice.

Materially experimental but conceptually driven, Ziperstein’s work engages ideas of consumerism, propaganda, and the built environment. Her objects and sculptural tableaux reflect her interest in the political dimensions of capitalist economies and challenge the construction of desire and aspiration in contemporary American culture through a historical lens.

Ziperstein pushes the limits of scale, experiments with color and finish, and uses the shapes and surfaces of her sculptures to tell stories and convey ideas. She approaches her work from an intersectional feminist position, asking questions about how women and women’s work are positioned within societal frameworks, and her work reflects her interest in the ways that art and other visual and spatial materials convey meaning. Ziperstein’s process often starts with research and archival materials to explore the ways that visual culture and the built environment signal repressive social and political ideologies.

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